Megalopolis 2024 - Movies (Feb 4th)
Oh Canada 2024 - Movies (Feb 3rd)
Becoming Hitchcock The Legacy of Blackmail 2024 - Movies (Feb 3rd)
Flight Risk 2025 - Movies (Feb 3rd)
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Lethal Love Affair 2024 - Movies (Feb 3rd)
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Another Cabin in the Woods Movie 2024 - Movies (Feb 2nd)
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90 Day- The Last Resort - (Feb 4th)
Kids Baking Championship - (Feb 4th)
The Neighborhood - (Feb 4th)
Poppas House - (Feb 4th)
9-1-1- Lone Star - (Feb 4th)
NCIS- Origins - (Feb 4th)
Geordie Shore - (Feb 4th)
The Beat with Ari Melber - (Feb 4th)
Sight Unseen - (Feb 4th)
Deadline- White House - (Feb 3rd)
University Challenge - (Feb 3rd)
Four in a Bed - (Feb 3rd)
Richard Osmans House of Games - (Feb 3rd)
The Yorkshire Auction House - (Feb 3rd)
The Price Is Right - (Feb 3rd)
Love Island- All Stars - (Feb 3rd)
Go Back To Where You Came From - (Feb 3rd)
The Young and the Restless - (Feb 3rd)
Deal or No Deal - (Feb 3rd)
The Repair Shop on the Road - (Feb 3rd)
***Disturbing iconic slasher about a demented family in rural Texas*** After a van of young people picks up a psycho hitchhiker in east Texas they stumble upon a farm house of crazies, including a burly mute man with a mask made of human-skin. Tobe Hooper’s "The Texas Chainsaw Massacre" (1974) is a seminal, iconic slasher that’s genuinely disturbing and horrific because it plays out in a gritty, realistic manner. While some viewers might find a couple of scenes amusing, like Franklin in his wheelchair accidently rolling down the hill and, later, having a hammy fit in the dilapidated building, it doesn’t change the fact that this is a serious, unsettling horror flick. By contrast, Rob Zombie’s homage (or rip-off), “House of 1000 Corpses” (2003), wasn’t disturbing or horrific at all because he opted for an over-the-top, cartoony approach. It was colorful and amusing, yes, but not unsettling or horrifying. Other positives include the rural locations, cool nighttime sequences, e.g. the thorn bush, and the effectively photographed women with no raunch: Teri McMinn (Pam) and Marilyn Burns (Sally). They’re girl-next-door types, but alluring enough. So this is a standout film as far as serious slasher horror goes and I can understand those who give it a high rating, but horror movies are about more than just scaring & troubling the viewer. For me, the last act is overly one-dimensional, focusing too much on the eye-rolling demonic dirtbag family and a girl fleeing & screaming. It’s thoroughly manic, indeed, but also vacuous and uninspiring. The film runs 1 hour, 23 minutes; there’s also an 88 minute unrated version. It was shot in east Texas as follows: Round Rock (house), Bastrop (gas station/BBQ shack), Leander (cemetery) and Watterson (slaughterhouse). The house has since been moved to Kingsland and refurbished as a restaurant. GRADE: B-/C+
It's maybe not fair to appraise a film 50 years after it was made too harshly, but I found this really quite over-rated and annoying. Five travellers pick up an hitch-hiker in their van but quickly discover that he has a penchant for knives and, well he isn't quite the full shilling. Anyway they manage to get shot of him and arrive at a garage that has no petrol near the grave of the grandfather of the wheelchair-bound "Franklin" (Paul A. Partain) and his sister "Sally" (Marilyn Burns) who are travelling with her boyfriend "Jerry" (Allan Danziger) and friends "Kirk" (William Vail) and his girlfriend "Pam" (Teri McMinn). It's the latter two who set of for a swim and never come back. Concerned, "Jerry" goes off in search before, yep - the other two head off into the desert in the dark to see what's what. Pretty early on, we know just what has happened to the first pair and so fully expect the expected... Except, it doesn't quite pan out quite how we might anticipate - else how we could we ever have known about this story? It's all about the last twenty minutes and even then I found it all rather flat and noisy. Way too much of the sense of peril here comes from endless screaming, running about in the bushes in the dark and the behaviour of visitors who just haven't a clue about basic self-preservation. Who would set off into unknown terrain in pitch dark pushing a bloke in a wheelchair after three of their friends had gone missing? Once we meet the perpetrators, again it all just comes across as something that wouldn't look out of place in a Carry On film made in the Hammer House of Horrors - there isn't an hint of menace at any point amongst the faux gore and crescendo hysterics. It's clearly been made on a tiny budget and the production standards reflect that - the continuity is a bit of a joke with wounds that are there then not or windows that self-repair... Nope, perhaps I just wasn't in the mood but I found this really quite disappointing and funny - but not really in a good way.
**One of the best and most fascinating horror movies ever made.** Just as the title says it, it is wihout any doubt one of the best and most influential horror films ever made. Its production history is also quite fascinating. If you are into horror or slasher movies, you simply have to have seen and experienced it. Nuff said.
Seven years after the death of his wife, widower Shigeharu seeks advice on how to find a new wife from a colleague. Taking advantage of their position as a film company, they stage an audition. Interviewing a series of women, Shigeharu is enchanted by the quiet Asami. But soon things take a twisted turn as Asami isn’t what she seems to be.
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of homicidal 18-wheelers. The frightened people set out to defeat the killer machines ... or be killed by them.
An invisible entity haunts a 19th century family, and family secrets soon begin to surface. Based on the true events of the only case in US History where a spirit caused the death of a man.
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
Chrissie and her friends set out on a road trip for a final fling before one is shipped off to Vietnam. Along the way, bikers harass the foursome and cause an accident that throws Chrissie from the vehicle. The lawman who arrives on the scene kills one of the bikers and brings Chrissie's friends to the Hewitt homestead, where young Leatherface is learning the tools of terror.
A teenage girl moves into a remote country home with her family, only to discover that the gloomy old house has a horrifying past that threatens to destroy them.
A sudden and mysterious inheritance brings Danny and his friends to Hobb Springs, a forgotten resort deep in the West Virginia hills. Hobb Springs is being looked after under the watchful care of Jackson and Sally, a socially awkward couple who introduce Danny to the long lost family he's never known. A clan by the name of Hillicker. But soon Danny learns his relatives have a different way of living, that for generations, the Hillickers have observed ancient traditions rooted in cannibalism and other taboo rituals.
Matt, with the assistance of his new friend Riley, is moving out to Los Angeles California to fulfill his dream of making movies. Everything is off to a good start! That is until Matt's childhood best friend Chaps decides to crash the road trip and invite himself along. When old friends don't mix well with new friends, jealousy enters the picture. And if that wasn't enough to put a damper on the road trip, a menacing hitchhiker turns their world upside down leading to a maddening chase that spins wildly out of control.
A group of New Yorkers take a road trip to Texas, to visit the locations from the Texas Chainsaw Massacre. Their car is disabled. As they wait in a desolate part of the state, a hiker discovers the travelers and offers refuge at her home, which happens to be five hours away by foot. When the gang arrives at what looks like a hovel, their northern attitudes and prejudices clash with the southerners, and a sadistic game ensues. All will learn what it means when someone says, "Don't mess with Texas."
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Dutch colonial mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.