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_**Effective haunted house movie with Ryan Reynolds and Melissa George**_ A young couple with three children buys an old, large house on Long Island in 1975. The house has a diabolic history, but they purchase it anyway because it's such a great deal. Will they make it out alive? I didn’t have high hopes for "The Amityville Horror" (2005) because I'm not a fan of haunted house movies and thus had not yet seen the original version. But I decided to give it a try due to Melissa George. The movie maintains a serious tone throughout and did not disappoint; it successfully piqued my interest in the whole Amityville Horror legend, which you can read about on the internet. Some may accuse the film of ripping off aspects of "The Shining" (1980), but keep in mind that the original movie was released a year before "The Shining" while the books they were based on were both published in 1977. The difference is that “The Amityville Horror” was inspired by supposedly true events whereas Stephen King’s novel was purely fictional. Of course this remake inspired me to see the classic version from 1979 with James Brolin and Margot Kidder. What I like about that one is that it takes its time to develop the characters in what is essentially a realistic drama topped off with creepy paranormal happenings. It addresses dark, ugly stuff but it actually has a warm heart (recall what George does in the final scene). This brisk 2005 remake is like the Reader’s Digest version, unsurprisingly upping the ante with the (clichéd) horror elements; it thankfully offers interesting details on the backstory of the house. I think they’re both worth checking out. If you prefer longer with more depth you’ll favor the original version whereas if you want something faster and more modern you’ll appreciate this one. Melissa George is a gorgeous woman and I enjoy watching her. Also on hand on the feminine front is Rachel Nichols, who played Tamara in the 2011 redo of "Conan the Barbarian." Rachel plays a hippie chick babysitter and she's perfect for the role. The babysitter is haughty and scoffs at the diabolic history of the house but let's just say she leaves as a true believer. This was a great sequence that perked my interest at a time it needed it (as I was starting to get bored by that point). In any event, I had to reassess my appraisal of Ms. Nichols after seeing her in this film as she won my appreciation. Meanwhile Chloë Grace Moretz plays the little girl; she was only 7 when the film was shot. Ryan Reynolds as the husband is fine, but he seems TOO in-shape for the role. However, I'm sure the ladies appreciate it. The film runs 1 hour, 29 minutes, and was shot at Silver Lake and Salem, Wisconsin, with other parts filmed in the Chicago area of Illinois. GRADE: B
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
The story of how social networks and instant messengers are changing the life of a modern person. It has been several years since a 16-year-old teenager posted a photo of his girlfriend in the general chat, hoping to boast to friends. Now he has a happy adult life: work, friends, fiance Katya, who is about to become his wife. But the Internet makes you remember teenage love, after which a chain of inexplicable mystical events occurs with the future wife of a young man. The girl receives mysterious messages from her fiance's past. Because of them, her life turns into a nightmare.
After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.
An upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter's brutal murder.
Ellen receives an exotic mask by mistake and begins to have waking nightmares and hallucinations. Her husband and doctors believe she is a paranoid schizophrenic and take her to a psychiatric ward. On the way to the hospital the car breaks down, her husband rushes off to get gas, and the Nightmare Man appears. Ellen escapes and stumbles upon a country house where two young couples are spending the weekend. They do not know if the killer is real or just a figment of Ellen's tortured mind nor if the killer is outside or already inside the house.
Based on actual events that occurred in Hokkaido, Japan, 1915. Rimeinzu: Utsukushiki yuusha-tachi tells the story of a group of bear hunters that are tracking a 900 pound brown bear nicknamed Red Spots that is terrorising the area. It attacks and kills men, but it feasts only on women.
A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.
Randolph Bradley is perfectly content fading into the background, but when his coworker Benson snaps and goes on a violent killing spree, he’s forced to face his fears and confront his troubled past in order to find a way to survive.
A priest with a haunted past and a novice on the threshold of her final vows are sent by the Vatican to investigate the death of a young nun in Romania and confront a malevolent force in the form of a demonic nun.
Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.