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A terrible mistake puts two best friends on a quest to reinvent themselves and overcome personal barriers to pursue their long forgotten dreams, right before the pandemic hits.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
This is the story of three characters (brothers Tomek and Jacek and their neighbor Magda), each of them is in their own way lonely and alienated. The title character makes herself secluded. Tomek's alienation results from his neurological disease, and Jacek contacts the world mainly via the Internet. This is also a film about love. Love of one brother to the other and of one alienated human being to the other. All together it creates a very universal picture with a Polish entourage.
A white child is adopted and raised by a Chinese citizen and brought to San Francisco, where no one surmises that she is actually not Chinese.
This film is a story from the Mahabharatam where Draupadi, the wife of the Pandavas, resists the advances of Keechaka, a lustful general in the court of King Virata. The confrontation leads to Keechaka's death, highlighting Draupadi's resilience during the Pandavas' exile.
Albertina is a celebrated dancer whose fame is widespread. However, she has overtaxed her strength, is forbidden to appear in public and is obliged to seek quiet and rest. She retires to her Aunt Mary's home, a beautiful and restful country place, where she secures the much-needed seclusion and comfort. Next door to Aunt Mary there lives a very handsome fellow who has often admired Aunt Mary's niece and to tell the truth she admires him. Growing restless under the enforced retirement, Albertina strolls down to the lake where the water-lilies grow. She pulls a number of them into a garland which she holds bewitchingly above her head. They give her an inspiration and involuntarily she pirouettes, bends and swerves her lithe and willowy form like a nymph of ethereal sweetness. The young man who lives next door is rowing upon the lake; He see Albertina dancing on the velvety field of grass, is charmed by her, and rushes toward her.