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Deal or No Deal - (Apr 25th)
Not Dead Yet - (Apr 25th)
Motorway Patrol - (Apr 25th)
Renters - (Apr 25th)
American Horror Story - (Apr 25th)
The Conners - (Apr 25th)
Walker - (Apr 25th)
The Last American Vagabond - (Apr 25th)
We Were the Lucky Ones - (Apr 25th)
The Masked Singer - (Apr 25th)
Chucky - (Apr 25th)
All In with Chris Hayes - (Apr 25th)
The Five - (Apr 25th)
Hannity - (Apr 25th)
Gutfeld! - (Apr 25th)
Tipping Point Australia - (Apr 24th)
Deliver Me - (Apr 24th)
Lopez vs Lopez - (Apr 24th)
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We start with the sight of a group of journalists at a wedding. The daughter of an industrialist is marrying the son of another. Nothing new here until, that is, an extra wedding cake is wheeled into the reception shaped just like an office block. Sticking out of a seventh floor window is a rose. We are quickly told that symbolises the window from which the groom's father committed suicide. Shortly afterwards, two senior executives are arrested after a ¥12 billion deal is suspected of being a bit fishy. Neither executive will talk to the prosecutors so one is released and the other released and re-arrested. The latter man takes the hint and falls foul of a passing lorry! Could the events of years ago be coming back to haunt those responsible? It certainly has shades of Shakespeare's "Hamlet" to it, but this isn't one of my favourite Kurosawa films. Despite being almost 2¼ hours long I felt the characterisations rather under-developed. The always reliable Toshirô Mifune is the groom ("Nishi") and for a while there is a strong dynamic between him and the star of the film, for me anyway, Kô Nishimura ("Shirai). This latter man is complicit in the double dealings and is quite literally scared into helping "Nishi" expose the culprits and activities that caused his misery. The rest of the acting here is not up to the usual standard, though. There is a great deal of dialogue and in this case that slows the pace down and creates a sense of almost the ennui around the middle third of the film - just as the plot ought to be thickening. The denouement is also rather underwhelming - though, I suppose entirely plausible and totally consistent with the ethos of the title (and the source play), but I still left this screening just a bit disappointed.
Mika, heiress to a Swiss chocolate company, is married to celebrated pianist André and stepmother to his son, Guillaume, whose mother died in a car wreck on his tenth birthday. Their lives are interrupted by the unexpected arrival of Jeanne, a young woman who has learned she was almost switched with Guillaume at birth.
A bright high-school senior has her impending status as valedictorian jeopardized when her bitter history teacher, Mrs. Tingle, gives her a poor grade on a project. When an attempt to get ahead in Mrs. Tingle's class goes awry, mayhem ensues and friendships, loyalties and trust are tested by the teacher's intricate mind-games.
A man fails to acknowledge the teenagers he mistreated when they were small children.
Arthur is invited to a New Year's Eve party to celebrate the year 2000. His girlfriend Lucie would like a baby from him but he refuses. Through the ceiling of the toilets, he discovers a passage leading to this futurist Paris. There, he meets an old man Ako who affirms he is his son and that he wants to exist. Otherwise he will vanish into the air. Arthur is still hesitant because his life is an unfulfilled one: a has a little lucrative job, is uncertain about his future and things are getting out of hand when Ako discovers the passage and interferes in the party.
After his mother flees the family home, a son turns to thieving in order to support his father, an abusive sort who is addicted to gambling.
A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.
A woman in the midst of an unpleasant divorce moves to an eerie apartment building with her young daughter. The ceiling of their apartment has a dark and active leak.
A mythic motorcycle tale of father and son", this is the story of Manuel Galloway, also known as "the King of Cali", the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets.
Seni, a club owner, is under pressure by a rival, Wan, to pay an outstanding loan. Upon hearing that he has a long-lost brother named Sema, Seni sends his loyal lieutenants, Tom and Pon, to visit Sema, only to find that Sema has died. Seni decides that he can use the situation to his advantage, and buries Sema's body in a forest.