Sudan Remember Us 2024 - Movies (Jan 9th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Subservience 2024 - Movies (Jan 9th)
The Naughty List of Mr. Scrooge 2024 - Movies (Jan 9th)
Better Man 2024 - Movies (Jan 8th)
Armor 2024 - Movies (Jan 7th)
George A. Romeros Resident Evil 2025 - Movies (Jan 7th)
Venom The Last Dance 2024 - Movies (Jan 7th)
The Man in the White Van 2024 - Movies (Jan 7th)
Katangari Goes to Town 2025 - Movies (Jan 7th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 7th)
Flow 2024 - Movies (Jan 7th)
Dutch II Angels Revenge 2024 - Movies (Jan 7th)
Black Box Diaries 2024 - Movies (Jan 7th)
We Live in Time 2024 - Movies (Jan 6th)
Rally Caps 2024 - Movies (Jan 6th)
Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
John Kearns The Varnishing Days 2024 - Movies (Jan 5th)
Letters and Numbers - (Jan 9th)
Dateline- Secrets Uncovered - (Jan 9th)
Ozark Law - (Jan 9th)
All the Queens Men - (Jan 9th)
Bangers and Cash - (Jan 9th)
Stranded with My Mother-in-Law - (Jan 9th)
The Bay - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Beast Games - (Jan 9th)
American Pickers - (Jan 9th)
Special Forces- Worlds Toughest Test - (Jan 9th)
Born to Spy - (Jan 9th)
Creature Commandos - (Jan 9th)
The Head - (Jan 9th)
Fast Friends - (Jan 9th)
The Five - (Jan 9th)
Road Wars - (Jan 9th)
The Real Housewives of Salt Lake City - (Jan 9th)
All Elite Wrestling- Dynamite - (Jan 9th)
Of all of the collaborative efforts that Katharine Hepburn ever made, this one has to be the most bizarre. Not because it is bad - though it isn't actually very good - but because she spends much of it a boy! Upon the death of her mother, her father (Edward Gwenn) must flee his creditors and so she ("Sylvia/Sylvester") determines to accompany him, cutting her Rapunzel-like locks and donning a suit as she goes. They encounter dapper rogue "Monkley" (Cary Grant) on the boat to England where they conduct a series of petty cons. Determined to get straight, she sets them all up as a seaside entertainment troupe and all goes well until she meets the dashing Brian Aherne ("Michael Fane") and starts to want to be a girl again. Can she tell him? How? Things are not helped by his keenness on "Lily Levetsky"... The dialogue is pretty weak, and rather relentless - and once the joke/gimmick wears off we are exposed to a rather lacklustre, almost pantomime, style of of story. Grant and Hepburn look like they are enjoying themselves and that certainly helps, but the humour is just a touch too contrived to last the seemingly long 90 minutes. Glad I've seen it, but I'm not sure I could recommend it.
Glen, a former sperm donor and recently diagnosed sociopath, takes his daughter on a murder spree of his sperm-donated offspring in the dark comedy, 'Spermicide.'
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
A fading southern belle moves in with her sister in New Orleans where her ferocious brother-in-law takes stabs at her sanity.
Eight-year-old Kevin McCallister makes the most of the situation after his family unwittingly leaves him behind when they go on Christmas vacation. When thieves try to break into his home, he puts up a fight like no other.
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective-the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time-so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
A con artist seduces the widow of a millionaire, only to learn she'd plotted with her lover to murder the late husband. A tense game of cat-and-mouse ensues—but who's the cat?
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…