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Lush gothic Hammer horror with Ingrid Pitt, Madeline Smith and Peter Cushing RELEASED IN 1970 and directed by Roy Ward Baker, "The Vampire Lovers" is a Hammer horror based on Irish novelist Sheridan Le Fanu’s “Carmilla,” which was published in 1872 and predated Bram Stoker’s “Dracula” by 25 years. The story concerns a family of vampires, the Karnsteins, who prey on people in Austria by finding an excuse to leave their daughter at a rich manor. She then proceeds to patiently seduce the nubile woman of the abode as she drinks the blood of local peasant lassies and whomever else. The main antagonist, Carmilla/Marcilla Karnstein, is played by Ingrid Pitt, who’s effective, but a little too long-in-the-tooth for the role. While she prefers to prey on wealthy nubile girls and there are overt Sapphic undertones, she’s just as willing to suck the blood of dudes when it suits her diabolic purposes. Her pretense of passionate romantic love is just that as she’s intrinsically evil and referred to as a “devil” elsewhere in the movie. Make no mistake, she’s solely out to find and feed off victims. While vampires are fantastical, Carmilla is figurative of evil women who purpose to seduce or convert people and destroy them. This IS real life and I’ve seen it happen several times. The tale isn’t for immature audiences because it’s too convoluted, dramatic, weighty and mature. I saw it 15 years ago and wasn’t impressed but, seeing it again, I now grasp it and it’s virtually revelatory. The female cast is superb, rounded out by: Madeline Smith (Emma), Pippa Steel (Laura), Kate O'Mara (The Governess, aka Mme. Perrodot), Janet Key (Gretchin, the maid), Kirsten Lindholm (the blonde vampire in the opening; also shown later), Olga James (Village Girl), Joanna Shelley (Woodman's Daughter) and Dawn Addams (The Countess/Karnstein matriarch). There’s a little bit of tasteful top nudity and Pitt is shown totally nude on two occasions in a classy manner. She’s a beautiful woman, for sure, but she doesn’t trip my trigger. As far as the male cast goes, Peter Cushing has a side role and Jon Finch is on hand as the gallant hunk. There are others. FYI: “The Vampire Lovers” is the first part of the so-called Karnstein Trilogy, which includes the quasi-sequel “Lust for a Vampire” (1971) and the prequel “Twins of Evil” (1971). THE MOVIE RUNS 1 hour, 31 minutes and was shot in Hertfordshire, England. GRADE: B+/B
Okay vampire horror movie with some lovely women, though the lead (Ingrid Pitt) couldn't really act. Wasn't terribly invested other than when Peter Cushing was on screen (he's missing for the second act) and frankly as a whole this is rather forgettable. **3.0/5**
Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
In a seedy bar in a town ravaged by war, scientist and businessman Hunt hires mercenary and former Royal Marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man's land. Their mission is to scope out an old military bunker in Eastern Europe. It should be easy – 48 hours at the most. Lots of cash for little risk. Or so he says...
A photographer's obsessive pursuit of dark subject matter leads him into the path of a serial killer who stalks late night commuters, ultimately butchering them in the most gruesome ways.
As the residents of sorority house Pi Kappa Sigma prepare for the festive season, a stranger begins a series of obscene phone calls with dubious intentions...
When the cast and crew of a paranormal TV reality program decide to shoot in the house of the original Saeki hauntings, a series of strange events unfold at the location.
Five years after the horrible bloodbath at Camp Crystal Lake, new counselors roam the area, not sensing the ominous lurking presence that proves that the grisly legend is real.
A man, crippled in an accident, returns to the woods after rehabilitation, certain that he'll not see Bigfoot again.
In the first sequel of "Hi Inspector", the cops Boki and Pajko get bored in their quite little town until the arrival of foreign visitors. These people reside at the local hotel where international conference on organ transplantation takes place. At the same time, the fresh corpses of deceased people begin to disappear, while the rumors about the vampires at the graveyard start spreading. The cops try to solve the riddle.
Ex-soldier Frank Brayker is the guardian of an ancient key that can unlock tremendous evil; the sinister Collector is a demon who wants the key so he can initiate the apocalypse. On the run from wicked mercenaries for almost 90 years, Brayker finally stops in at a boarding house in New Mexico where — with the help of its residents — he plans to face off against the Collector and his band of ghouls, preventing them from ever seizing the key.
Confined to a mental hospital, young Kirsty Cotton insists her supposedly dead father is stuck in hell, controlled by sadomasochistic demons after being betrayed by his evil, occult-obsessed wife, Julia. Few believe Kirsty, except the thrill-seeking Dr. Channard, who is intrigued by the young woman's lurid stories. So when Kirsty and fellow patient Tiffany head to hell for a rescue, Channard and Julia are close behind.