Bug

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.

Luke Wilson plays a good-hearted ex-con who gets a job in a retirement hotel. Three elderly residents help him win back his girlfriend as he lends them a hand in fighting hotel corruption.

Near-silent and shot via a cell phone, a war veteran observes the world which has been colored by his experiences in Afghanistan.

The film takes place away from the glittering strip of mega casinos, but the greed of Sin City is just as pervasive on the desert outskirts. This is where a happy family learns of a forgotten fortune that may be buried beneath their home. Their lives are turned upside down. A sophisticated study of just how far people are able and willing to go if faced with the tempting prospect of easily acquired wealth.

James is unlucky in love. He’s stuck in a routine of all work and no play and can’t seem to shake loose from it. The only thing that keeps him going is his daily commute to work, which he shares with the girl of his dreams. The only downside however, is he can’t pluck up the courage to speak to her, and she doesn’t seem to know he exists. With his two work colleagues as his only aid, James finds himself caught up in a never ending cycle of embarrassing and awkward situations as he attempts to win her heart. This is the story of when boy meets girl… But with nerves…

Hudson Milbank is a successful Hollywood screenwriter who suddenly and strangely finds himself without any emotional feelings. He tries doctor after doctor and shrink after shrink, but nothing works. The Golf Channel, lesbian exercise classes and a dizzying variety of pills get him through the day, but don't quite solve his problem. His writing partner tries everything to get him back to normal, but it's not until Hudson meets Sara that he finds a real motivation to get better and to actually start feeling again. From the writer of Deuce Bigalow, comes NUMB, a romantic comedy following an unusual man looking for strange love.

In this bittersweet comedy, four adult siblings gather at their dying mother's house in North Carolina for what they expect to be a quick, last goodbye. Instead, they find themselves trapped — together — for two weeks.

David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship "footage" is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.

What is meant to be a weekend party across the border soon becomes a heartbreaking journey that tests the boundaries of companionship, romantic love and personal ethics.

The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite's marriage quickly dissolves along with his health.