The Miracle Archives

James Ransone and Ashley Smith star in this short.

Ruthless ‘Ruth’ Avery is a first–year law student at the competitive Port Ridge University. She is analytical, she keeps to herself, and she’s used to being the best at what she does. But this year she’s challenged by crowd favorite, Matthew Baxtor. When an internship opportunity arises with Matthew as the top choice, Ruth must decide what’s more important to her; friendship or winning.

A boy is looking for cicadas on mundane summer day which is haunted by the shadow of death.

Once again Mads is forced to walk home because his big brother, Anders, is running late. Finally Anders arrives, but during a stop on the drive back home to their father, Mads is confronted with the questionable path that Anders is heading down. When an unforeseen collision with a deer occurs, their relationship is tossed around on the highway.

Fuelled tells the story of a housewife on the path of revenge for her late husband.

This is a short film based on Taylor Swift's "mirrorball" from her Academy Award-winning album, 'Folklore'. Ben Stafford plays James, a celebrity who serves as a metaphor for a mirrorball; fame can be glamorous and incredible, but also terrifying and fragile.

Alma is a nine year old girl living in an urban environment in the U.S.. When she loses her mother, she has to travel to her grandmother Esperanza in an indigenous village in Mexico.

One family suffers from the death of their mother and wife. Amid the suffering, each one seeks a way to deal with the loss and Mariana, the eldest daughter, tries to pick up the remaining pieces of her family.

In a new, predatory ice age, two brothers search for a place to call home.

A young man prostitutes himself near the Bois de Boulogne (16th). A motorist stops; the young man rides and protects his client. Produced by Lesbian and Gay Pride Films, this film is part of a program of ten short films from a screenwriting competition launched in October 1995 on the theme of homosexuality in the time of AIDS.

2020, in global confinement in the face of the Covid-19 pandemic, in CDMX women decide to give birth in their own home. The film is an intimate witness of life, which, despite everything, prevails.