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**The food comes first. The life's later or maybe never.** The title reveals everything, but still you must watch this to know how everything going to take place. Life on earth is meant for survival of the fittest, but the human evolution changed that idea and again, what happen when the rules we are used to have changed back to the original? This is a post apocalyptic theme set in somewhere in the Britain and revolves around three people who are fighting for their survival, everyday. The feature film debut for the director, who also managed the screenplay quite superbly. You can find many similar films, but everyone of those has its own story with the backdrop of various threats and other issues to deal. Also, when the circumstances differ, the following events take a different lead. Thus giving the viewers a new perspective and entertainment. This is nothing like those I had seen. It was too rough and tough in revealing stuffs to the facts of its state of condition. I mean the humans have lost the trust between one another. You might say that is common in all the post-apocalyptic films, but this is very good at details. A silent film, like background score was almost zero, so the appeal was stronger in every those thrill scenes like it was real or some kind of a documentary film. A man is living alone in the middle of the forest, grows his own vegetables and always be an extra careful from any outside threat. Then one day a woman and her daughter comes looking for food to trade with their valuables. The deal does not go well between them, but somehow they all manage to gain trust and start to live together. Obviously there's always an issue of food shortage, so how they are going to handle and followed by many other troubles brings an end to the tale. > "The only thing I have caught in there walked on two legs." A minimal cast film with less dialogues, but totally a visual storyteller. I liked the film, but not my favourite, just a fine thriller. The actors are not very popular, but still they are familiar faces and I liked the film because of them. Critically acclaimed and well received by movie goers, but the common people who are vital for the commercial success let it down. It was nominated for the BAFTA awards in the newcomer writer/director category, but did not win. The film's main plot is the food. The human population grown so fast during entering the twenty first century and again fallen rapidly due to the shortage of food which is obviously directly affected by pollution and other issues. So the theme was right, but not everybody gets that message. Because most of who watch it expects entertainment and nothing else. I hope that would not be your excuse to ignore it. The film was shot in Northern Ireland, in a couple of places and its surroundings. It is slow, but steady in what it wanted to tell us. It's not a question about how familiar the theme is, but how different and obviously how different people tackle such situations is what this film focused to tell us pretty dramatic way. When I say the poster, I thought it was like a native American or south American's story. Mainly because of the haircut that gave the impression like that I saw from other films. The synopsis gave a different perspective, so I found it more interesting than before. Then I watched, with a low expectation after knowing it was not received well. But I surprised and come to know this is not a bad film as they have said. In fact a very interesting perspective on how these three people struggle with what they have got in front of them. I am not saying it's a must see, but definitely not the worst, so I suggest you to do small research if you are confused to try this title. If you ask me, I would say just go for it. _7/10_
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
Two men share an odd friendship while they care for two women who are both in deep comas.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs - and it's absolutely impossible to contain.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
When an overachieving college senior makes a wrong turn, her road trip becomes a life-changing fight for survival in rural Kentucky.
A successful, young writer's first pregnancy is overshadowed by her complicated relationship with reality.
This 1940s drama presents a story of class conflict and its influence on romance. Robert Bradley leaves the shipyards to work in his uncle's furniture business but soon finds himself at odds with the old man. So he becomes a servant for the destructive Thormans, and falls for the lady of the house, Sarah. But in 1913 this upstairs/downstairs romance can only lead to disaster.