Séance Games - Metaxu 2024 - Movies (Mar 11th)
Iliza Shlesinger A Different Animal 2025 - Movies (Mar 11th)
Anora 2024 - Movies (Mar 10th)
Moana 2 2024 - Movies (Mar 10th)
Shark Exorcist 2 Unholy Waters 2024 - Movies (Mar 10th)
Jacob Tyler 2024 - Movies (Mar 10th)
Wolf Man 2025 - Movies (Mar 10th)
Faultline 2024 - Movies (Mar 10th)
Dirty Angels 2024 - Movies (Mar 10th)
DIG XX 2024 - Movies (Mar 10th)
Deathgrip 2 2024 - Movies (Mar 9th)
Mickey 17 2025 - Movies (Mar 9th)
The Reluctant Royal 2025 - Movies (Mar 9th)
Lumina 2024 - Movies (Mar 9th)
My Husband the Cyborg 2025 - Movies (Mar 9th)
Flow 2024 - Movies (Mar 8th)
In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
Ghost Cat Anzu 2024 - Movies (Mar 7th)
The Silent Planet 2024 - Movies (Mar 7th)
The Voice - (Mar 11th)
Beyond the Gates - (Mar 11th)
Someday at a Place in the Sun - (Mar 11th)
Piers Morgan Uncensored - (Mar 11th)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Storyville - (Mar 11th)
Great British Menu - (Mar 11th)
Sesame Street - (Mar 11th)
WWE Raw Classics - (Mar 11th)
Extracted - (Mar 11th)
Below Deck Down Under - (Mar 11th)
90 Day- The Last Resort Between the Sheets - (Mar 11th)
Geordie Stories- Charlottes New Baby - (Mar 11th)
My Pet Ate What - (Mar 11th)
Rogue Claimers - (Mar 11th)
'Waterloo' is a film that, while technically impressive, feels emotionally distant. Bondarchuk and cinematographer Armando Nannuzzi never hide the influence of Napoleonic paintings on the visual language of the film, but that's essentially what 'Waterloo' becomes - a piece of history told at arm's length from the distance of time. As difficult as it is to emotionally engage with, 'Waterloo' is still an impressive production, all the more so as a demonstration of Sergei Bondarchuk's remarkable ability for balancing the inner world of his characters and the spiritual horror of war with the ultimate expression of the epic in cinema. For those reasons alone, 'Waterloo' is certainly a film that deserves attention. Read Daniel's full article... https://www.maketheswitch.com.au/article/review-waterloo-an-epic-recreation-of-the-legendary-battle
Sergei Bondarchuk ought to be commended for his really rather sterling effort at re-creating some of the one hundred days of Napoleon's campaign following his escape from exile on Elba in 1815. Rod Steiger is superbly cast and imperious as the maniacal but genius French Emperor who very nearly conquered the mainland continent of Europe, despite the comprehensive alliance lined up against him - and led, at the denouement, but his nemesis the Duke of Wellington (Christopher Plummer). Some considerable effort has gone into designing and delivering this whole spectacle of a film - from the grand palatial settings, the costumes, intricate uniforms - and the battle scenes are as authentic as I've seen since that other Napoleonic epic "Austerlitz" (1960). Steiger portrays the Emperor in a characterful and personal fashion; he is full of the megalomaniac but also the portrayal indicates a little more of what made the great man tick (or not). Having read somewhat more about Wellington (I'm a Brit), I was somewhat disappointed by the slightly smug - almost foppish - portrayal of the "Grand Old" Duke by Plummer. He looked the part, but somehow his efforts were always outshone onscreen - by the fleeting appearances of Jack Hawkins, the glamorous Virginia McKenna - even by a squealing piglet. That said, though - this is a film about a battle and the action scenes are superb. They look and sound genuine engendering no end of sympathy for the soldiers who served as little more than cannon/bullet/bayonet fodder as they marched around (and fell) in the mud. The narrative is quite tight; we don't get distracted by too many romantic interludes or other daft diversions, and once it gets up steam it is an effective depiction of a pretty gruesome conflagration that history (for the winners, at any rate) has successfully sanitised. Bit long, we could do with less of the preamble, but once it gets going it presents a convincing effort from Steiger and is well worth watching as an example of large scale epic cinema before the computer took over the role of the extras, the sets, the story....
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy - full of obsession, deceit and jealousy with dangerous and deadly consequences.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.