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_YesYes: UnOriginal of Evil_ is a **much**, much better film than its predecessor, Ouija. But, seeing as the first _Ouija_ was far and away the worst film of 2014, that's not much of an achievement. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**So this is where it all began!** It is a decent horror film, but surely better than the first. The previous part was an usual teen themed horror where everything started as a playful. But this one was a prequel and it focused on the origins. A single mother with two daughters is making money helping the people who want to contact their beloved dead ones. The things changes when her little daughter started to communicate the spirits of her own. The chaos unleashes, the house becomes haunted and the family begins to fall apart. Keeping it simple is what worked out well for the film, despite thematically borrowed from others, scenes were kind of familiar and characters intentionally developed. Particularly the priest role was the most overused in any horror film. Followed by the twist. That turning point was good, but not a new. Nice performances and well shot film. Ouija is a fine concept for a horror theme and with this film's somewhat success, I hope the next one would only get better. So it is worth a watch, if you're not anticipating a something special. _6/10_
I really enjoyed the beginning of the film. The film though lasts 90 minutes and till 60 minutes seems like we are still in the beginning. The movie ends too fast, all the action takes part in the last 15 minutes so they wrap it up very poorly and not enjoyable. The horror scenes look more funny rather than scary and that makes it even worse. Really disappointed with the end, cause it had very great potentials.
Wheeeeeja! A sequel that's a prequel that's actually better than what preceded it! Ouija: Origin of Evil is an above average chiller that's a fine scary ride for those not expecting boundary pushing. Standard rules apply here, widowed mum and two daughters who dabble in the con of seance profiteering get more than they bargained for when they introduce a Ouija board to proceedings. Director Mike Flanagan knows how to construct a good honest scare piece (see Oculus and Hush), and so it proves here. The atmosphere is constantly set at impending dread, the tension slow built until pic goes into overdrive. Unfortunately so many horror films of the decade are reliant on the demon formula to fill out their respective tales, so much so it has become jaded and utterly unsurprising. This hurts this picture and it runs away with itself, rendering the big final quarter - complete with emotional baggage - as something of a let down; though the final shot has goosebump value for sure. Hadrcore horror buffs will find irritants and emptiness, but for those who dip in and out of the genre should find a quick chill to fill a fright gap. 6/10
Eva, an ex-dancer, is now living in a wheelchair, unable to walk. When her friend Sophie gives her an old wooden antique advent calendar before Christmas, she realizes each window contains a surprise that triggers repercussions in real life: some of them good, but most of them bad... Now Eva will have to choose between getting rid of the calendar or walking again… even if it causes death around her.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Silly group of college science students go an dig around in an indian burial ground for artifacts. Unfortunately, one of them becomes possessed by the evil spirit of Black Claw so he must therefore slaughter all of his friends.
A young woman and her undead mother take on some greedy real estate developers who will stop at nothing to get their land.
A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had burned at the stake. Peter reads aloud the incantation that causes Baron Blood to return and continue his murderous tortures.
Anya and Daniel just moved to their new house in Bandung. Daniel brings home a doll from his workplace. Anya, who is a dollmaker, welcomes the doll happily to their house. They later learned that the doll belonged to a little girl named Uci, who died when she and her family were brutally murdered in a robbery. Strange things begin to happen.....
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Ash Williams and his girlfriend Linda find a log cabin in the woods with a voice recording from an archeologist who had recorded himself reciting ancient chants from "The Book of the Dead." As they play the recording an evil power is unleashed taking over Linda's body.
A family just moved in a new mansion in the suburbs, but weird things happen on and on. The wife sees a dead man’s skull. The son strangely says he sees many people in the living room. Is the house haunted or could there be some other reason?
Five friends accidentally awaken an ancient evil while hiking in Arizona. They must fight to survive both a demonic spirit and the small tribe who worships it.