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Incredibly contrived and overly convenient, with a truly awful title to boot, _Pumpkinhead II: Blood Wings_ is a massive step down from its predecessor. Works only as the sort of thing you have on in the background, only gracing with your attentions for the brief golden moments Pumpkinhead is doing his thing. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
***Lower budget than the original, but better story & characters*** A gang of partying teens stumble across an old witch’s cabin in rural Southern Cal and foolishly unleash a vengeful demon linked to a dead feral boy. "Pumpkinhead II: Blood Wings" (1993) was released to video and therefore has noticeably inferior production values to its 1988 predecessor. It was shot in three weeks for less than $1 million and you can tell, but it has a more compelling script and arguably better characters with the exception of the absent Lance Hendriksen, who will return for the next two sequels as a ghost. Without Hendriksen and any references to the original flick, this is more of a standalone reimagining containing all the staples of the first film: a group of teens, rural Southern Cal, a mysterious cabin in the woods, an ugly witch, a revenge-based plot and, of course, Pumpkinhead itself. Speaking of whom, the creature looks formidable despite the low-budget, albeit kinda artificial. Meanwhile, striking blonde Ami Dolenz and petite cutie Soleil Moon Frye are on hand on the feminine front, but not enough is done with them. Bottom line: Despite the low budget, I prefer this one to the original and “Pumpkinhead 4: Blood Feud” (2007). I can’t remember “Ashes to Ashes” (2006) at this particular moment, which isn’t a good sign, lol (I think I saw it, but I’m not sure). The film runs 1 hour, 28 minutes and was shot in Santa Clarita, California. GRADE: C+/B- (5.5/10)
**It would be much better with a minimally well done script.** I liked the first film, and the truth is that I feel that this follow-up was not far behind, although the story told has no connection with that of the first film. For me, that's its main problem, because the other problems that exist, honestly, I think they were already expected. Directed by Jeff Burr, the film has a cast of unknown actors, but who does what can be asked of them. They aren't brilliant, but I felt that most were sincere and committed to their work, being seriously hampered by the director's ineptitude and the stupidity of much of the dialogue and material they were given. In fact, with better material and better character development, the actors would have done a better job. The most prominent actor here is Andrew Robinson, in the role of the new local sheriff, but I also liked the work of Ami Dolenz and Steve Kanaly. The worst performances came from a histrionic Trevor Edmond, a Gloria Hendry who only says banalities and an Alexander Polinsky who doesn't seem to know what he's doing on stage. The script is really the biggest problem of the whole movie. It's just a stupid story in which the devil is resurrected to avenge two deaths at once (perhaps it's a way for the devil to save on travel): an old woman who died in an accident that she herself is going to cause after an incident with some young people, and a disabled child who died many years earlier. It's an absurd story and I just couldn't accept it. Technically, the film doesn't bring anything truly good either. The filming work is banal and uninteresting, and the cinematography and editing are amateurish. The scenarios are good, rural as in the first film, but the few visuals and specials work poorly and are not believable. The monster, for example, looks like a gangly puppet that growls and has difficulty walking. The deaths were very well-thought-out and some of them are quite graphic (a warning for the most sensitive), but it's a film that never warms up and makes us feel some tension. It's not even worth thinking about being afraid, it's better to avoid just not falling asleep.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.