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And so it happens once again in Kollywood. We have seen instances where two or more directors were inspired from the same foreign film and end up giving us films with the same concept. The last one was the Hollywood film Across The Hall, which ended up as three Tamil films. Now, it is the Korean film Hello Ghost. In June this year, the premise of that film was an inspiration for Masssu Engira Masilamani and now, Om Shanthi Om. But while Venkat Prabhu used the premise of the hero being able to see ghosts to tell a revenge masala, D Suryaprabaakar gives us an emotional drama. The film opens with a bus accident in which there is only one survivor — Vasu (Srikanth). The film flashes forward to six months later to show us what is happening with Vasu. He works in an automobile showroom and falls in love with Shanthi (Neelam Upadhyaya), who he also hires as his employee. Vasu begins to notice five individuals following him everywhere he goes. He confronts them and they tell him that they need his help. Being a helpful person, Vasu agrees. And as he fulfils their wishes, he learns that they are people who were involved in the same bus accident as him and they have appeared as spirits so that their last wishes can be fulfilled. However, Shanthi mistakes the signs of Vasu talking with the ghosts as a psychological problem, and the lovers separate. Can Vasu fulfil the wishes of the spirits and get back together with Shanthi forms the plot. Given that Masssu Engira Masilamani released a few months before it, the big reveal of Om Shanthi Om — that Vasu is actually helping ghosts — doesn't really come as a surprise to us. And that takes away the suspense that Suryaprabaakar seems to have counted on to keep us engaged in the first half. Plus, he gives us situations that lack drama. The first few minutes are spent in developing the romantic track between Vasu and Shanthi but there is hardly anything new in this segment to make us care about their romance. Instead, we get an introduction song for the heroine, a duet and more songs. The songs actually keep popping up now and then, slowing down the narrative and testing our patience. The ghosts keep telling that Vasu is a helpful person, but the director doesn't give us any scene to register this facet of the character. The nature of the wishes seem varied — an elderly ghost (Junior Balaiah) wants him to recover the money that has been usurped by a relative-thug and see his granddaughter get married; a lady ghost wants her husband to know that it was the spurious drugs being distributed by a corrupt man (Naren) and not her that killed their son; a little boy wants to eat ice cream; a girl wants to reunite her lover with her friend; a priest wants his daughter to get the medical seat that was assured to him by a big shot (Naren, again) — but they are solved with minimal trouble that there is hardly any sense of accomplishment that we feel when Vasu fulfils them. And each of these situations is treated in the fashion of melodrama that we see in our TV serials, with the only saving grace being the cinematography by Bhaskaran.
Mikiya Kokutou gives Shiki Ryougi a cat to watch, as he will be away for a little while. Though Shiki protests, he leaves the cat anyway, and Shiki is stuck trying to understand her new feline companion. But as luck would have it, the cat seems to have taken a liking to Mikiya and misses him. Later in another part of the city, Ririsu Miyazuki visits the place where her dear friend committed suicide. She intends to end her life as well, but she meets Fujino Asagami, a blind classmate with a traumatic past. Though the two girls don't have much in common, Asagami reminds Miyazuki of her lost friend and helps her understand her pain. Two months later, Mikiya elects to celebrate New Year's with Shiki instead of his family, which makes his sister Azaka very upset, leading to her spending the holiday with her school friends. As the snow begins to fall, Mikiya reflects on what he wishes for most of all: that Shiki's life be filled with happiness.
When her best friend turns to her for help, a tortured young girl shares her darkest, most powerful secret. This was a mistake.
Desperate to fit in at school, Sam rejects her East Indian culture and family to be like everyone else. However, when a mythological demonic spirit latches onto her former best friend, she must come to terms with her heritage to defeat it.
Now a member of Anteiku, Ken Kaneki grows closer to the ghouls around him. Determined to protect his new home against anti-ghoul forces, he trains his powers in secret. But when the infamous gourmet, Shū Tsukiyama, wishes to savour some half-ghoul flavour, Kaneki's training is put to test of a lifetime.
Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus's estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby's Nanny and an attorney, enter the house they find themselves trapped inside an evil machine "designed by the devil and powered by the dead" to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
Three unrelated horror shorts from 1975 UK horror anthology series "Classics Dark and Dangerous" edited together into one horror film anthology with three segments. Each story features a woman who willingly or unwillingly spreads evil.
Six high school students, Will, Charlie, Bartok, Todd, Stevie and Linda, are handed invitations to a party by the school’s mysterious and enigmatic new student, Saddler. However, once they enter Saddler’s house, they are each somehow magically transported to a different room, where Saddler reveals their innermost guilty secrets and desires through the use of black magic and exploits them in an attempt to resurrect his mother, a three-hundred year old witch.
When the puzzle box is once again solved, Pinhead and his legion demolish all who dare oppose them. But standing in his way is the only person who has defeated Cenobites of the past.
Yearning to break free from their sordid pasts, three sisters unite for a simple plan: steal enough drugs to set themselves up for a new life. But when the eldest sister Teig decides they're going to hide out in their old, abandoned family house, its painful memories quickly become too real to fight off. Three sisters with a history, a suitcase full of stolen drugs, and a family house with a dark secret is the recipe for terror in House of Bad.
A werewolf loose in Los Angeles changes the lives of three young adults who, after being mauled by the beast, learn that the only way to break the curse put upon them is to kill the one who started it all.