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The 11th Hour with Stephanie Ruhle - (Mar 27th)
After Midnight - (Mar 27th)
Tribunal Justice - (Mar 27th)
Gogglebox Australia - (Mar 27th)
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All Creatures Great and Small - (Mar 27th)
Dateline- Secrets Uncovered - (Mar 27th)
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House of David - (Mar 27th)
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The Masked Singer France - (Mar 27th)
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The Wheel of Time - (Mar 27th)
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If you're chute doesn't open, change it for a harp! A passable WWII movie boosted by star casting and a grand finale. Plot essentially is about some Allied agents planning to infiltrate the Nazis' secretive rocket factory in Holland and destroy their deadly V rockets. Much of the pic is given to character forming and painting political, army and human passion based groundwork. Unfortunately the narrative often sags and has some uneven patches that can take one out of the story line. On the plus side the finale is worth waiting for, full of suspense and heroics, while the espionage angle holds interest throughout. 6/10
Engaging war-thriller doesn't always hit on all cylinders but the finale was suspense-filled and I do appreciate how the filmmakers handled the deaths, not at all sensationalized. No real standout performances but the cast did a fine job, though a bit surprising to see Sophie Loren got top-billing but only in it for maybe 15-minutes. **3.5/5**
There is something a little bit reminiscent of "The Adventures of Tartu" (1943) about this film. The Nazis are using ever increasingly effective missiles to bombard South East England and when the boffins discover their new, portable, V1 and V2 rockets then a team is assembled to go into the heart of the Reich to carry out some dangerous sabotage. George Peppard, Jeremy Kemp and Tom Courtenay are the three despatched and these characters alongside an interestingly, but effectively, cast Anthony Quayle as their Nazi antagonist work well building a sense of peril as they set about their tasks. It's a little bit cluttered by a bit of a contrived sub-plot with Sophia Loren, but for the most part it is an efficient drama that has just about every British actor you can shake a stick at appearing somewhere - John Mills; Trevor Howard; Richard Johnson; Richard Todd et al. Of course it uses a little cinematic licence - Peppard's German accent (via Detroit) is a bit of a stretch at times - but it's still an engaging piece of wartime adventure cinema with quite an exciting climax.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
In WWII-era Rome, underground resistance leader Manfredi attempts to evade the Gestapo by enlisting the help of Pina, the fiancée of a fellow member of the resistance, and Don Pietro, the priest due to oversee her marriage. But it’s not long before the Nazis and the local police find him.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.