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When will you make an end? When I am finished! And so it be that that is the often repeated exchange between Rex Harrison's Pope Julius II & Charlton Heston's Michelangelo, and thus we have the basis for the film version of Irving Stone's novel The Agony & The Ectasy. This is a fictionalised account of how Michelango came to paint his masterpiece on the roof of the Sistine chapel, focusing solely on the two main characters of the piece, The Agony & The Ectasy is a character and dialogue driven piece of work. I'm not here to give you a history lesson on the Renaisssance painters or the background to Pope Julius II (The Warrior Pope) and his term of office, there are many well written comments on this site that revel in that side of things. I'm here purely as a lover of this film and to tell you that I do indeed love it regardless of the obvious historical failings. It spins a smashing story of two great men driven to distraction by each other on account of each respective man's blustery ego, both men seemingly failing to realise that what irks them so, does in fact flourish the soul. Thankfully the two lead actors here put up a special show to carry the film with ease, with both Heston & Harrison really getting their teeth into the roles to feed off of each other with quality results - with one scene having Michelangelo goad Julius off of his sick bed being particularly memorable. The toil and time consuming lengths that Michelangelo went to finish the wondrous ceiling of the chapel is perfectly captured by the pacing from director Carol Reed, and it's within this mindset that I personally feel engrossed with the characters from beginning to end. Though it should be noted that the film is not without moments of humour, some scenes shaking you away from the men's battle of wills to bring dashes of levity. It's safe to say that one should avoid this film if they are after a searing costume drama infused with battles and death encompassing romances, this is purely for those after fine art, fine acting, and most of all, fine story telling. 8.5/10
Depending on the version you see, this film starts with a gorgeously scored trip around some of the museums of Italy and of the Vatican allowing us to put the sheer magnificence of the talent of Michelangelo Buonarroti into context - and the volume and quality of that body of work, condensed into ten minutes or so, makes this worth watching just as a lesson in the history of art! The story is set during the Papacy of Julius II (Rex Harrison) the warlike, but artistically enlighted Pontiff who commissions and unwilling Charlton Heston to paint the ceiling of the rather run-down Sistine Chapel. Reluctantly, he sets about his task and over the years it takes to complete, Sir Carol Reed explores how their relationship might have evolved. Harrison is not good, there's no denying it - his performance is wooden and his delivery of an admittedly stilted script lacks any charisma. Heston, on the other hand, is better - though perhaps overly theatrical - as the angst-ridden artist who initially hates the idea of painting something 70 foot up in the air, but by the end is completely obsessed. Philip Dunne's screenplay is not his finest; it is wordy and thick - but it does manage to combine history and fiction in a fashion as to give us a glimpse of just how fragile Julius II' 10 year Pontificate was at the start of the 16th Century. Alex North lost out on the Oscar to Maurice Jarre's ""Dr. Zhivago" score but otherwise would surely have scooped the prize as a sumptuous accompaniment to this better than average historical drama.
An indentured Chinese laborer, brought to Japan to work in a coal mine during WWII, manages to escape his captors. He hides out in the Japanese countryside, so far from human habitation that he does not realize when the war ends, with ultimately tragic results.
A millionaire car salesman who runs the biggest dealership in Midland City, Dwayne Hoover is a celebrity, loved and trusted by everyone. Then one day, he wakes up and realizes that his life is a total mess! But between the headaches posed by his pill-popping wife, a mistress who won't leave him alone, and a cross-dressing sales manager, Dwayne has picked a bad week for a midlife crisis.
Seibei Iguchi leads a difficult life as a low ranking samurai at the turn of the nineteenth century. A widower with a meager income, Seibei struggles to take care of his two daughters and senile mother. New prospects seem to open up when the beautiful Tomoe, a childhood friend, comes back into he and his daughters' life, but as the Japanese feudal system unravels, Seibei is still bound by the code of honor of the samurai and by his own sense of social precedence. How can he find a way to do what is best for those he loves?
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
A dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko, a courageous and outspoken black anti-apartheid activist.
In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Set in 1979, following a young Communist man's relationship with a gay Catholic writer, exploring tolerance, inclusion, homophobia and challenging its Cuban audience with great humour. Based on the short story by Cuban writer Senel Paz.
In this story-within-a-story, Anna is an actress starring opposite Mike in a period piece about the forbidden love between their respective characters, Sarah and Charles. Both actors are involved in serious relationships, but the passionate nature of the script leads to an off-camera love affair as well. While attempting to maintain their composure and professionalism, Anna and Mike struggle to come to terms with their infidelity.
Jack London's classic adventure story about the friendship developed between a Yukon gold hunter and the mixed dog-wolf he rescues from the hands of a man who mistreats him.