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FULL DISCLOSURE: I saw this while I was working my ass off in a foodtruck at an outdoor cinema. I missed whole chunks of it, and it certainly didn't have my full focus. I'll give it a proper chance at a later date, and alongside that, another review. However, of what I saw, _Battle of the Sexes_ seemed to be little more than a collection of stereotypes played for comedy in a movie that not only wasn't funny, but probably shouldn't have even tried to be. _Final rating:★★ - Definitely not for me, but I sort of get the appeal._
I'm not saying women are better. I've never said that. I'm saying we deserve some respect. Battle of the sexes is directed by Jonathan Dayton and Valerie Faris and written by Simon Beaufoy. It stars Emma Stone, Steve Carell, Andrea Riseborough, Natalie Morales, Sarah Silverman, Bill Pullman, Eric Christian Olsen, Alan Cumming and Elisabeth Shue. Music is by Nicholas Britell and cinematography by Linus Sandgren. Back in 1973 there was a tennis match - a show event - where self proclaimed media hustler Booby Riggs (Carrel) took on supreme ladies champion of the era Billie Jean King (Stone). It would be tagged as The Battle Of The Sexes and the importance of such has echoed through time to still be relevant today. Here we have a film running at two hours in length that actually plays more as a King biography than it does a piece about the tennis match at pic's closure. Why not just call your film Billie Jean King? That would still have worked and been more closer to the themes playing out. On the King biography terms it's a fascinating and engrossing film, her battle with her sexuality issues - and the media threats that such a thing of the era would produce - and her wonderfully stoic stance for women's acceptance rights in sport. Unfortunately since the focus is more in this area the film becomes repetitive and over stuffed, and crucially it sadly puts the Bobby Riggs story firmly into the background. However, there's a lot to like on show here if one can forgive it its ill thought out unbalancing act. The cast performances across the board are top line. Stone and Carell are kind of a given, the latter really nailing the characterisation, but key turns by Riseborough, Olsen, Silverman and a wonderfully flamboyant Cumming light up the period play. The last third as we head towards the match of the title is excellent, characterisations have been set up for maximum impact, while the writers do not pander to gloating or PC banner waving to leave us on a positive and thought provoking note. If only the Riggs axis had been given more meaty substance, and the mid-section not practically slow to a snails pace, then we would have had a better movie more befitting the title - and historical event - than the one we get. 6/10
Emma Stone and Steve Carell are terrific. 'Battle of the Sexes' is an interesting look on the famous tennis match from 1973 between Billie Jean King and Bobby Riggs. I'm sure it takes all the usual creative license that biopics tend to do, but that's doesn't bother me - especially with this type of event. Stone (King) and Carell (Riggs) are definitely what hold this film together, without those two I don't believe it would've been as enjoyable. Sarah Silverman (Gladys) and Andrea Riseborough (Marilyn) are alright, though the main attraction here are the two leads. Talking of Marilyn, I didn't really care for the love stories on show - with Marilyn, but also those involving Larry (Austin Stowell) and Priscilla (Elisabeth Shue). The rest is sufficiently entertaining, though. It's sometimes a little too on the nose with the (obviously positive) message it's portraying, but that's just a small thing to note. Overall, this is a production I'd recommend you watch - tennis/sports fan or not.
After Apollo Creed is killed by Ivan Drago in a match, Rocky Balboa becomes depressed and becomes determined to get revenge.
A lifetime of taking shots has ended Rocky’s career, and a crooked accountant has left him broke. Inspired by the memory of his trainer, however, Rocky finds glory in training and takes on an up-and-coming boxer.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
In 1940, author Richard Wright turns to Pulitzer Prize-winning playwright Paul Green to help adapt his best-selling book, Native Son, into a Broadway play. Days from opening night, they differ over a single page of the script.
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
A struggling salesman takes custody of his son as he's poised to begin a life-changing professional career.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.