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**A great film that deserves to be reviewed and revisited today.** I've said many times that a movie always needs a good story, and this movie is an example of that. The strength of the plot, the way in which it captures our attention and curiosity, the way in which the characters were created, developed, and are able to win our sympathy, everything is combined with an excellent work by the actors and direction. This film seems to me a little forgotten nowadays, but it deserves a review for its enormous quality. In fact, the whole story revolves around trust in others and in ourselves. Maria, a young teenager who seems determined to stand out in an extravagant way, has just become pregnant with a boyfriend who really doesn't like her and only cares about his personal priorities. Abandoned by him, she causes her father's death unintentionally, after a hard fight, and ends up taking refuge in friendship with the problematic Matthew, another teenager, very mature and formal for his age, owner of an above-average culture, which has already had several problems with the law for not conforming to the world around them, where the average reigns and TV exerts an excessive influence on people. Somehow, they come to understand each other and see the good in each other. The film is not a comedy, not for me. There is something dramatic about the film and the way things unfold, with the two central characters having to go through a cathartic process in order to become better and finally be able to love and be loved. The issue of family fragmentation and breakdown is also very present throughout the film, where we see failed marriages, defeated by the lack of love and understanding, the monotony of the days and the inconstancy of feelings. Hal Hartley's direction does an excellent job with little (I don't know, but I got the feeling that the film had a very limited budget). The cinematography is good, and the sets are extraordinarily believable. However, these are just details when you look at the extraordinary work of the actors. Martin Donovan, known to all of us, is in excellent form here and leaves a remarkable record of his talent. Next to him is the young and talented Adrienne Shelly, who was stolen from us too soon and too brutally, as we know. The actress is charismatic and manages to give us the greatest film of her career. Giving them strength, we have good participation from Rebecca Nelson and John MacKay.
On a stormy night Caleb decides to box away his past but little does he know what power lies inside the box that risk him and his friends lives.
A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.
With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
When secretive new neighbors move in next door, suburbanite Ray Peterson and his friends let their paranoia get the best of them as they start to suspect the newcomers of evildoings and commence an investigation. But it's hardly how Ray, who much prefers drinking beer, reading his newspaper and watching a ball game on the tube expected to spend his vacation.
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.
The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.
It was an ingenious enough plan: rob the Riviera Casino's count room during an Elvis impersonator convention. But Thomas Murphy decided to keep all the money for himself and shot all his partners, including recently-freed ex-con Michael Zane. With $3.2 million at stake, the Marshals Service closing in, Michael must track down Murphy.
Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.
A couple, cheated by a vile businessman, kidnap his wife in retaliation—without knowing that their enemy is delighted they did.