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Miss Sweden and Scooby Doo. Screaming Mimi is directed by Gerd Oswald and adapted to screenplay by Robert Bless from the novel written by Fredric Brown. It stars Anita Ekberg, Phillip Carey, Gypsy Rose Lee and Harry Townes. Music is by Mischa Bakaleinikoff and cinematography by Burnett Guffey. A woman becomes mentally unbalanced after a failed knife attack by a psychotic and has to spend time in a sanatorium. Whilst there she becomes the object of her psychiatrist obsessions. Great Dame With A Great Dane! A curio psychological film noir with horror leanings, Screaming Mimi is just a tad too nutty for its own good. It’s also weighed down by a non performance from Ekberg, who you find is purely in the piece to tantalise via her voluptuous body, and also by a colourless performance by Carey. Yet it’s a fascinating movie, a sort of car crash piece of cinema that you can’t take your eyes away from! Psycho Schematic. It’s all very lurid, sexy and bonkers, the sort of picture where alcoholic accompaniments would most likely improve the viewing experience tenfold. The characters inhabiting this world are a strange bunch, which is fun, whilst when you got entertainment establishments called Gay “N” Frisky and El Madhouse, you just know we are trawling through an off kilter city of sin and carnal desires. Unfortunately Oswald and Bless seem confused about what to do with all the provocative possibilities, rendering the narrative as confused and at times lifeless. Rose Lee is great though as she flits between manipulator and sultry proprietor, as is Townes, who underpins the whiff of mania running through the pics veins. Guffey and Bakaleinikoff offer up solid tech work, and the jazzy strains provided by Red Norvo are most welcome. It really should have been a great movie though, such promise in story and set-ups, but sadly it ends up as a faux Freudian potboiler. 5/10
Career criminals and a local youth carefully plan and rehearse the robbery of a Missouri bank.
An erotic thriller actress becomes the prime suspect in the murder of a B-movie producer, leading her to hide out and engage in sexual thrills with a pair of innocents.
Five college students embark on a paranormal investigation of Dead Woman’s Hollow Road, a hub of mysterious deaths and strange phenomena along the Appalachian Trail. The probe turns deadly when people in their camp begin dying. For those still alive, their only hope for survival is a wet behind the ears Sheriff who must come to terms with the fact that the darkness surrounding his quiet town isn’t supernatural, but an evil that’s very real.
A killer breaks into an apartment to steal a valuable brooch. He kills an old woman, but in fleeing he encounters a young woman on the stairs who will become his target.
Eddie Miller struggles with his hatred of women, he's especially bothered by seeing women with their lovers. He starts a killing spree as a sniper by shooting women from far distances. In an attempt to get caught, he writes an anonymous letter to the police begging them to stop him.
Young intern Jeff Burton, impulsively offers a lift to an odd-looking gentlemen. It soon turns out that Jeff's passenger is an inventor has just escaped from a shady sanitarium, where he has been held prisoner by Nazi spies.
A TV documentary crew arrive on a remote island in the Philippines to film a survival special. Their back-to-the-wild adventure proves to be more terrifying than they ever could have imagined
A bedridden and gravely ill man believes his wife and doctor are conspiring to kill him, and outlines his suspicions in a letter.
A plastic surgeon changes the face of a female convict to match that of the beautiful woman who broke his heart and left him. He marries the convict but trouble starts when his true love returns.
Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he himself scarred, framed and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli.