Kinds of Kindness 2024 - Movies (Oct 4th)
Subservience 2024 - Movies (Oct 4th)
The Conqueror Hollywood Fallout 2023 - Movies (Oct 4th)
Joker Folie à Deux 2024 - Movies (Oct 4th)
Spin the Bottle 2024 - Movies (Oct 4th)
Things Will Be Different 2024 - Movies (Oct 4th)
The Radleys 2024 - Movies (Oct 4th)
Gods Not Dead In God We Trust 2024 - Movies (Oct 4th)
Little Bites 2024 - Movies (Oct 4th)
The Killers Game 2024 - Movies (Oct 4th)
One Person One Vote 2024 - Movies (Oct 3rd)
Aurora Teagarden Mysteries A Lesson in Murder 2024 - Movies (Oct 3rd)
Before Dawn 2024 - Movies (Oct 3rd)
Hells Half Acre 2023 - Movies (Oct 3rd)
House of Spoils 2024 - Movies (Oct 3rd)
Salems Lot 2024 - Movies (Oct 3rd)
Hold Your Breath 2024 - Movies (Oct 3rd)
Love on the Danube Kissing Stars 2024 - Movies (Oct 3rd)
G.O.A.T ~Greatest Of All Time~ 2024 - Movies (Oct 2nd)
White Bird 2023 - Movies (Oct 2nd)
MaXXXine 2024 - Movies (Oct 2nd)
All Elite Wrestling- Rampage - (Oct 5th)
WWE NXT- Level Up - (Oct 5th)
On Patrol- Live - (Oct 5th)
The Last Word with Lawrence ODonnell - (Oct 5th)
My Lottery Dream Home - (Oct 5th)
Diners, Drive-Ins and Dives - (Oct 5th)
Bering Sea Gold - (Oct 5th)
Scariest House in America - (Oct 5th)
Jersey Shore- Family Vacation - (Oct 5th)
WWE SmackDown - (Oct 5th)
Dan Da Dan - (Oct 5th)
The Price Is Right - (Oct 5th)
Bargain Hunt - (Oct 5th)
Gogglebox - (Oct 5th)
The ReidOut with Joy Reid - (Oct 5th)
All In with Chris Hayes - (Oct 5th)
Alex Wagner Tonight - (Oct 5th)
The Last American Vagabond - (Oct 4th)
Cheap Irish Homes - (Oct 4th)
Deadline- White House - (Oct 5th)
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.
Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images. The Image Burns begins as a reflection on our perception and becomes an intense interaction between the parts, between the images and the spectator. We look at the fire and the fire looks back at us.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver - a man who has had some very unusual, puzzling, and inspirational experiences - and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
Marital Rape Is Real is a short film adapted from several published essays on marital rape by Shanon Lee.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic. (from bfi.org.uk)
Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.