Götcher

Linear of Nightmare is a tongue and cheek piece about the pointless of fear. The film is a surreal self-inflicted mental infliction that ultimately leads to its own demise. Fear is worry magnified leading to disconnection between the mind and the body. Fear is just about the worst form of mental activity there is—next to hate, which is deeply self-destructive. Worry is pointless. It is wasted mental energy. It also creates bio-chemical reactions that harm the body, producing everything from indigestion to coronary arrest, and a multitude of things in between.

The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a med student he hones his appetite for the kill.

Mourning the death of his serial killer father, a boy enters his dad's casket and soon finds himself buried alive.

Horror story in a high way

A short documentary about witches.

Unable to deal with her mother's death, Samantha turns to her drawings for solace. She discovers she is able to bring her drawings to life and attempts to bring her mother back. In doing so, she finds out the truth behind her mother's death.

Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter, Nancy Thompson, traces the cause to child molester Fred Krueger, who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. Nancy and her boyfriend, Glen, must devise a plan to lure the monster out of the realm of nightmares and into the real world...

A film-noir murder mystery that takes place in a sleazy hotel. As cops investigate the gruesome murders, they become victims of this evil force.

“I cannot help feeling that some mysterious force is upsetting our emotional balance. The theme of my work over the last few years has been the portrayal of this sense of unease. In this work I seized on a very negative image of Tokyo and tried to portray the emotional state of people struggling and suffering in this very superficial world.” (T.I.)