Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
The Pickleball Exorcist 2025 - Movies (May 31st)
The Blinkless 2024 - Movies (May 31st)
Call of the Void 2025 - Movies (May 31st)
A RAD Documentary 2025 - Movies (May 30th)
Queer 2024 - Movies (May 30th)
Bring Her Back 2025 - Movies (May 30th)
Daylight to Dark 2024 - Movies (May 30th)
Into The Gravel Pit 2025 - Movies (May 30th)
Invader 2024 - Movies (May 30th)
iPossessed 2025 - Movies (May 30th)
Dr. Sanders Sleep Cure 2024 - Movies (May 30th)
Gates of Flesh 2025 - Movies (May 30th)
Hook 2025 - Movies (May 30th)
Guardian 2025 - Movies (May 30th)
Greet Your Demons 2025 - Movies (May 30th)
Blue Rodeo Lost Together 2024 - Movies (May 30th)
Dont Make a Sound 2024 - Movies (May 30th)
The King of Kings 2025 - Movies (May 30th)
James Martins Saturday Morning - (May 31st)
Good Boy - (May 31st)
Britains Got Talent - (May 31st)
Best of The Beat with Ari Melber - (May 31st)
Blankety Blank - (May 31st)
Doctor Who- Unleashed - (May 31st)
Secrets of the Royal Traditions - (May 31st)
Bridge of Lies - (May 31st)
Doctor Who - (May 31st)
The Hit List - (May 31st)
Lucky - (May 31st)
WWE Main Event - (May 31st)
Saturday Kitchen Live - (May 31st)
LOL- Last One Laughing Colombia - (May 31st)
Pop the Balloon LIVE - (May 31st)
Our Unwritten Seoul - (May 31st)
TMZ Investigates - (May 31st)
Impact x Nightline - (May 31st)
Americas Most Wanted - (May 31st)
Bad Romance - (May 31st)
Never mind Virginia Woolf, she's a lightweight compared to "Martha" (Elizabeth Taylor) as "Nick" (George Segal) and his wife "Honey" (Sandy Dennis) are about to discover for themselves. They've already been at a faculty do with her and husband "George" (Richard Burton) and have gone round after for a nightcap. That's their first mistake as a vitriolic battle of sarcastic and venomous wits is just getting started between their hosts. Initially they are sympathetically embarrassed but then that morphs into something a little more participative as the brandy and the bourbon starts to take effect on everyone. In vino vertitas has never been more true as it emerges that the older couple have a son, the other bugger, and it's clear from early on that something on that front is not right. The younger couple are not immune from the prevailing toxicity and before long they are also starting to question some of what underpins their own relationship. As tempers flare, things become even more unpleasant - even violent, as there are no holds barred and psychological cruelty becomes the benchmark for just about all of them. I saw this on stage and loved it. On the big screen, Mike Nicholls has used his cinematic advantages to make it even more potent. By using the cast together, splitting them off into pairs, changing the location from their increasingly small living room, occasionally involving an innocent bystander to temporarily lessen the stress levels and even pouring some coffee into them, we tell a remarkably hard-hitting story of grief. A festering, poisonous emotion that when not dealt with can grow to throttle just about any relationship - especially if the vintner is on it, too. Taylor and Burton excel, there's no other word for it. Her performance makes the hair on the back of your neck stand up and is perfectly foiled by the more understated but just as brutal characterisation of "George" by a Burton rather benignly bedecked in his middle-aged cardigan - but don't be fooled. Though the plot doesn't focus so much on the others at the start, both Segal and a strong effort from Dennis come into their own too as the ghastliness of their new friends proves contagious and noxious. It's also directed as if we were watching from various points in the room, which adds extra impact as we see things from differing perspectives - but always with a horribly natural flow. It often comes across as a continuous stream of filming akin to how it would be presented live on a stage. This is cinema at it's most visceral with compelling characterisations and dialogue that really does hurt. Maybe don't watch if you've just had a row, or a few drinks, or both? No remakes, please.
Recently retired accountant Richard Flicker attends a life-drawing class and his world is turned upside down when he encounters free-spirited Amelia, the spitting image of a long lost love from decades ago. Grappling with a troubled home front, Richard flirts with the temptation of this second chance at romance.
Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.
Aaron Corbin, a successful businessman, finds himself enjoying life and his new bride Kelly. Married life suits Aaron and his company has hit it big, but with new found success comes bigger problems. His life begins to fall apart and to save it means regrettable deadly consequences of betrayal and murder.
Jack Hammett is an aggressive young defence attorney on the rise up the corporate ladder. In the courtroom he's known as the "Hail Mary Kid" for his ability to win the unwinnable cases. When one of the firm's lawyers, Darren Gaines, is murdered and Gaines' wife is charged, Hammett is assigned as her attorney. Hammett asks Kate Weldon, a recently hired lawyer, to assist him. Together they discover some inconsistencies in the case as well as a possible connection to the recent murder of a judge.
A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.
Hopeless romantic Gertrud inhabits a turn-of-the-century milieu of artists and musicians, where she pursues an idealized notion of love that will always elude her. She abandons her distinguished husband and embraces an affair with a young concert pianist, who falls short of her desire for lasting affection. When an old lover returns to her life, fresh disappointments follow, and Gertrud must try to come to terms with reality.
The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.
A widowed father has to deal with two complex issues: while he is searching for "Miss Right," his son, who is in his 20s and gay, is searching for "Mr. Right."
Bored with her marriage to burnt out poet turned corporate executive Thierry, Zandalee falls prey to an old friend of her husband, the manipulative and egotistical Johnny and becomes enmeshed in a sensual, passionate and destructive affair.