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In parallel stories, a social butterfly and a lower middle-class wife brace themselves for the challenge of birthing a child in the modern era.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.
After Count John Karpathy, belovedly known as the Nabob, falls ill while entertaining the peasants of his estate, his dissolute nephew and sole heir, Count Bela, comes home from Paris to acquire his inheritance. The Nabob recovers and, after hearing Bela's plan to squander the money, resolves not to give Bela anything while he lives.
It is a world without language. A world where one is raised to respect the rules. Only one Boy questions the verity of what he has been taught, and he must decide whether to continue living in a society of fear or choose his own destiny.
Charles Chauvel's first feature tells the story of a country girl, Dell Ferris (the Moth of Moonbi), drawn to the bright lights of the big city where her inheritance is soon frittered away with high society revelling. A wiser Dell returns to Moonbi Station where she is beset by the cattle rustler Jack Bronson, but finally finds peace and happiness with the faithful head stockman, Tom. Only part of the film survives to this day.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
The first feature-length motion picture produced in Europe, running 90 minutes. Directed by Michel Carré, from his own three-act stage pantomime, The Prodigal Son. The film was basically an unmodified filmed record of his play. Filmed at the Gaumont Film Company studios in May 1907.