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I have no idea why people are raving about this film, it's a bit crap, it's probably Oldman weakest performance to date, and the cinematography is terrible. Churchill with Brian Cox in the lead role is a FAR superior film on the subject.
As with many of the biopics I've seen recently, _Darkest Hour_ is more focussed on delivering you the facts than getting you involved with the characters. It is an interesting idea to have the majority of the story revolve around the of whether or not to sue for peace. That as a core concept in so much as the question of "Do I take the guarantee of saving my country or do I take the risk of saving the world?" and beyond that "Is there even a right answer to that question? And who am I to decide something this big?" is a great philosophical centre for a movie. But I never felt like I knew why any of these people had the answers that they gave. I get that in a historical context, these aren't characters they are real life people, so they answers they had are the answers we see, but again, we are only given the _what_, not the _why_. Except you can throw all of that away because here comes Gary Oldman in his Oscar nominated transformation to make this movie 100% worth watching. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It's 1940, and Hitler is attempting to take over Europe. The film takes an interesting look at Winston Churchill's first five weeks as Prime Minister. The acting in this movie is quite accomplished; good actors bring insight and depth to the characters. Overall, it's a well-done, engrossing film. Gary Oldman's performance as Winston Churchill was very good indeed, and his delivery of Churchill's speeches alone make watching the movie worthwhile!
I saw this film at TIFF on the big screen and loved it. There's not a weak member of the cast. I really loved the way the photography reflected the sense of gloom that would have been felt by the people facing a new war. Big thumbs up, gives a strong sense of the time and place.
Gary Oldman was superb as Churchill.
I thought I might have seen this a couple pf years ago, but I still enjoyed it. There have been a few movies about Churchill’s rise to power at the outset of World War II. This one seems to cover the least amount of ground, focusing on his thought processes, the political climate and his personal life leading only up to the beginning of the Dunkirk evacuation. I thought there were two things the film did well with its strong writing and actor portrayal: the first was to present Churchill, a larger than life character, as just a life-size person, with the foibles and weaknesses he carried around with him. The other strength was in building depth into some of the secondary characters. His new aide typist, for example, is ready to quit after Churchill yells at her unfairly. It would have been easy to rehabilitate him for that temper tantrum by having him soften towards her and convince her to stay on. Instead she leaves the building, is handed an important communication from the king, and decides for herself to stay on and do the job. Churchill is the focal point pf the film, but again and again he shares the limelight onscreen with others like this, such as the extended scene in the subway. So within it’s narrow focus, I think the movie does a great job telling the story of this interlude from history.
A tour de force from Gary Oldman as he portrays Winston Churchill in his first few months of office at the start of WWII. Oddly enough though, aside from a few brief appearances from Kristin Scott-Thomas, the rest of the cast in this historical biopic are really quite unremarkable. The speeches are delivered magnificently; but there are too many speculative machinations going on - not least those involving King George VI - that do bring the credibility of this into question. There was plenty of accurately documented reportage from this time to enable Anthony McCarten to pen an entertaining script based more on the facts of this unsteady period of Churchill's premiership; Dunkirk; his relationship with Halifax & Roosevelt etc. rather than invent storylines. The attention to detail is superb and Oldman well deserved his second Oscar.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public's demand for an overt display of mourning.
The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
The behind the scenes story of the life of A.A. Milne and the creation of the Winnie the Pooh stories inspired by his son Christopher Robin.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
A struggling salesman takes custody of his son as he's poised to begin a life-changing professional career.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.