Film-Muhawalah 'An Sadd al-Furat

In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

In the Arab world, women are fighting a two-front war against repressive internal constraints and intrusive Western interference. In this program, a feminist delegation composed of author Nawal Saadawi and other renowned activists from the Middle East and North Africa gathers at the UN, on college campuses, and in church basements to speak out about deterioration of women's rights in the Arab states in an effort to heighten awareness of the Arab feminist struggle for equality-and the effects of U.S. foreign policy on their efforts.

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

Follows the repercussions of the Israeli Security Wall and Settlement expansion in the engulfed/annexed Palestinian farming communities of the West Bank and the Gaza Strip, examining the grassroots resistance movement that sprang up against it. An interminable road trip across hard and liquid borders, across a terrain that is being erased as it is being traversed.

During the darkest days of the Depression when construction was started on Grand Coulee Dam, everything about it was described in superlatives. It would be the "Biggest Thing on Earth," the salvation of the common man, a dam and irrigation project that would make the desert bloom, a source of cheap power that would boost an entire region of the country. Of the many public works projects of the New Deal, Grand Coulee Dam loomed largest in America's imagination, promising to fulfill President Franklin Roosevelt's vision for a "planned promised land" where hard-working farm families would finally be free from the drought and dislocation caused by the elements.

In the 70s, a dam and a hydroelectric plant were built in Sobradinho. The government at the time, which was commanded by the military regime, thought that that small town, in the northeast hinterland, would be ideal for the construction, because there would be no resistance from the locals. So, 73.000 people were displaced - it is one of the biggest forced migrations in the history of Brazil. Four cities and dozens of villages submerged. Mrs. Pequenita was the only inhabitant to ever return; there, she lives in a ghost town. She receives the visit of three social agents, who own old videos and photos of the region.

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

This video focuses on Dumagat activists, Nanay Nene, Tatay Lope, and Chieftain Rodrigo and their continuous struggle to organize resistance against a Chinese-funded mega dam in Quezon. The Kaliwa Dam Project will displace numerous Dumagat and non-Dumagat families living near the dam site— yet another example of development aggression.