Reflejo de un deseo

‘Still Point’ serves as Barbara Hammer’s definitive reassessment of 70’s cultural feminism. She literally places side-by-side the romantic image of her companion walking and stretching under the sun in a landscape and the gritty realism of a methodical garbage picker on the street of New York city, pushing a shopping cart and moving on to the next waste container. Our world view must encompass both realities, the film indicates. Privilege can’t obscure vision.

In “Vital Signs” (1991), Barbara Hammer demonstratively transforms the horror of death into its opposite. She tenderly cares for a human skeleton, feeding it, dressing and caressing it, taking it for walks in the dark cabaret of an intimate relationship beyond death. She confronts pain and fear rather than repressing them.

The National Ballet of Portugal is celebrating its 40th anniversary. Since its foundation, it has aimed to present the great classics, as well as to always welcome contemporary creations. Day-to-day life is demanding for dancers, choreographers, musicians, répétiteurs, seamstresses, light technicians, sound technicians, and other elements of a large staff that make it possible for dance to travel through the rehearsal rooms and linger in the hallways before making it onto the stage. This film follows not only the company’s creations and premieres, but mainly each dancer’s silent and structural work.

For Pastor Judith Ehrmann, her job as an emergency counselor is more than just part of her job: giving people assistance is a vocation for them. But when a classmate of her son dies in a car accident, that's unusual. Judith begins to doubt: herself, her job - but also her family. For all at once everything seems to indicate that her own husband and son were involved in the accident and now want to cover this up. The emotionally intense drama of award-winning director Aelrun Goette raises fundamental themes without giving easy answers.

A documentary about film noir films made in Los Angeles.

A self-absorbed young man is challenged to grow a conscience and change his ways in order to receive an inheritance.

A tribute to the poet Patrizia Cavalli

Inspired by true experiences of grief, girlhood, and growing up, Jessie Barr’s SOPHIE JONES provides a stirring portrait of a sixteen-year-old. Stunned by the untimely death of her mother and struggling with the myriad challenges of teendom, Sophie (played with striking immediacy by the director’s cousin Jessica Barr) tries everything she can to feel something again, while holding herself together, in this sensitive, acutely realized, and utterly relatable coming-of-age story.

A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.

Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.