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*My Girl* (1991) is one of those movies that lingers long after the credits roll. At its core, it's a coming-of-age story that beautifully captures childhood innocence, friendship, and the tough lessons that come with growing up. The plot unfolds naturally, taking its time to let you connect with the characters, making the emotional moments hit even harder. It balances lighthearted humor with deeper themes without ever feeling forced, making it more than just a typical family drama. The directing by Howard Zieff keeps everything grounded, allowing the story to breathe and feel real. The cinematography leans into a nostalgic, warm aesthetic that perfectly complements the film's tone. There's a sense of comfort in the way it's shot, almost like flipping through old childhood memories. The script feels natural, with dialogue that flows effortlessly, making the characters feel genuine rather than overly scripted or dramatic. The score is subtle but effective, never overpowering the story but enhancing the emotions in just the right moments. When it comes to performances, Anna Chlumsky shines in her first major role, delivering a performance that feels authentic and heartfelt. Macaulay Culkin, fresh off his *Home Alone* success, takes on a very different role and does it with quiet charm. The supporting cast also does a great job, adding depth to the story without overshadowing the leads. Overall, *My Girl* is a beautifully crafted film that sticks with you. It’s emotional without being manipulative, nostalgic without being cliché, and tells a story that feels personal even decades later.
On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?
A little girl and her inventor father celebrate the success of their greatest dream, on a day she will never forget.
A widower and her daughter witness the retirement of a colleague of his and the closing of her department at her university.
The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
The story is set at the 1972 Munich Olympics where the U.S. team lost the basketball championship for the first time in 36 years. The final moments of the final game have become one of the most controversial events in Olympic history. With play tied, the score table horn sounded during a second free throw attempt that put the U.S. ahead by one. But the Soviets claimed they had called for a time out before the basket and confusion ensued. The clock was set back by three seconds twice in a row and the Russians finally prevailed at the very last. The U.S. protested, but a jury decided in the USSR’s favor and Team USA voted unanimously to refuse its silver medals. The Soviet players have been treated as heroes at home.
A mafia family from New Jersey is placed in the witness relocation program to an all-Mormon community in Utah.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.
A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her.
Police daughters' bond tested in a heartfelt coming-of-age tale of love, friendship, and life's complexities.
