Disco Boy 2023 - Movies (Aug 7th)
Lolo and the Kid 2024 - Movies (Aug 7th)
Babes 2024 - Movies (Aug 6th)
Furiosa A Mad Max Saga 2024 - Movies (Aug 6th)
Widow Clicquot 2023 - Movies (Aug 6th)
Gabriels Redemption Part III 2023 - Movies (Aug 6th)
Top Gunner America vs. Russia 2023 - Movies (Aug 6th)
The Cursed 2024 - Movies (Aug 6th)
Break 2024 - Movies (Aug 6th)
The Red Shoes Next Step 2023 - Movies (Aug 6th)
A Killer in the House 2024 - Movies (Aug 6th)
Day of the Clones 2024 - Movies (Aug 6th)
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The Mouse Trap 2024 - Movies (Aug 6th)
ZEF - The Story of Die Antwoord 2024 - Movies (Aug 6th)
Robin and the Hoods 2024 - Movies (Aug 5th)
The Bikeriders 2023 - Movies (Aug 5th)
Outlaw Posse 2024 - Movies (Aug 5th)
Despicable Me 4 2024 - Movies (Aug 5th)
Dark Feathers Dance of the Geisha 2024 - Movies (Aug 5th)
No Way Out- The Roulette - (Aug 7th)
Snowpiercer - (Aug 7th)
The Five - (Aug 7th)
The Ingraham Angle - (Aug 7th)
Jesse Watters Primetime - (Aug 7th)
Hannity - (Aug 7th)
Mammals - (Aug 7th)
Love Is Blind- UK - (Aug 7th)
Watch What Happens Live with Andy Cohen - (Aug 7th)
The 11th Hour with Stephanie Ruhle - (Aug 7th)
The Chase - (Aug 7th)
Abbott Elementary - (Aug 7th)
WWE NXT - (Aug 7th)
Deal or No Deal - (Aug 7th)
The Chase Australia - (Aug 7th)
The Cheap Seats - (Aug 7th)
Judge Steve Harvey - (Aug 7th)
The Cook Up with Adam Liaw - (Aug 7th)
Taskmaster NZ - (Aug 7th)
Neighborhood Wars - (Aug 7th)
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.
Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.
Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.
During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
A movie that starts out with the "Man in the Mirror" music video, it then changes to a montage of video clips of Michael's career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are "Smooth Criminal" and "Come Together".
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.