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Match of the Day - (Dec 21st)
The Beat with Ari Melber - (Dec 21st)
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Special Report with Bret Baier - (Dec 21st)
The Five - (Dec 21st)
The Ingraham Angle - (Dec 21st)
The Katie Phang Show - (Dec 21st)
The Tucker Carlson Show - (Dec 21st)
When the Phone Rings - (Dec 21st)
Football Focus - (Dec 21st)
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A story we've seen from Japan a thousand times: Pretty girl transfer student from Tokyo to Hicksville falls for the brooding bad boy in class. It treats this middle school romance as if it's a little more mature than it is. What sets it apart are some of the directorial choices in editing and sound. There are some over-the-top drama moments that would kill the film if they weren't normalized by the weirdness of the overall. Almost every scene in the film is accompanied by a different piece of music. Some good, some not so good, but they all act strongly, not in the background, in shaping the emotion of the scene. And the director uses the emotion, or intensity, of the music to shape her film editing. It's not subtle, and I don't think I've seen anything like it before--at least to the extent that the whole film follows this pattern, scene after scene. _Drowning Love_ doesn't seem to care much about being a film as much as being a Live Action adaptation of a manga (which I haven't read). The director (I learned after the fact and it made perfect sense) is a 20-something young woman. It's like "Hey! One of us actually did this instead of some pervy old man!" and may explain some of the music video/video game aspects of the presentation. There's one big problem with it. Well, two. The first is: it doesn't really make sense. The second is: it starts off as a typical teen romance (_shojo_, I think they're called), then an attempted/aborted rape happens which kicks up the intensity--until it gets lost. And that's the problem. This middle school girl almost gets raped, and two minutes later in the film it's forgotten or downplayed by everyone until the end where it's brought back up for the finale. There's also a "sensitive boy" friend who gets tossed off the film after doing his little duty. The adults in the film are just place holders who look out of place in the film--basically the way they must look to most middle school kids. Kudos for that. **Nana Komatsu** of _World of Kanako_ fame stars. She's got a certain set of chops. A fancy boy-idol, who dyed his hair blond for the role, plays broody boy. They have chemistry, and I enjoyed Nana's complexity in dealing with broody boy. He treats her like a dog and she's determined to get to a place where he will be a whimpering puppy. And tells him as much. I enjoy the way the Japanese use middle school students to act out a **Doomed Lovers** play. You look at the players--they're young, there's no sex. They seem innocent, but are given dialog that betrays a wisdom and experience beyond their years. Not recommending it to anyone who isn't already interested in these kinds of movies. But this one is a little different and could offer something of interest because of the out-of-the-box way it's constructed. I think the ending is supposed to be big and meaningful but it didn't make any sense to me. It's not a film that meanders around and then offers an emotional payoff at the end. It just spirals off.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Tired of seeming invisible in their high school, and in an effort to make space for gender non-conforming kids in high school traditions, Jax makes a bid for the homecoming court.
Taking place thirty years before the events of Ringu, Ringu 0 provides the shocking background story of how the girl on the video became a deadly, vengeful spirit.
Robert is nineteen and not an overly happy person. Fortunately, he has two loyal friends who love to go on little adventures. And they love to drag Robert with them. One day, Armin and Olivia decide to go skateboarding. And they are definitely not leaving Robert behind.
Genki Ogasawara enrolls in an all boys high school. He then sets out to become popular with girls and looks for a club to join at school. Genki then comes across a performance of "Romeo and Juliet" performed by the school's drama club. Genki falls for the lead playing Juliet and decides to join the drama club. Genki isn't aware that the drama club is about to be shut down and that the person playing Juliet is actually a senior male student in drag.
Kesse is a third generation fisherman, living in a small coastal town in Northern Jutland. Life trudges along without surprises, but all this is about to change. The fishing industry is hit by financial crisis and the small fishing boats are swiftly put out of competition by big corporations. In desperation, Kesse tries to find a way out of his hopeless plight and has to resort to dishonest means, on top of having to fire his best friend and lone employee. As if this wasn't enough, he gets an unwelcome guest on-board in the form of marine biologist Gerd from Copenhagen, sent to study the fishing. Søren Balle's debut feature is a funny and touching film about love, friendship and the difficult art of dealing with change.
Teenage misfits Amandus and Johan find solace in an unconventional friendship, challenging the norms of their provincial Swedish town.
A biographical story of Tomoatsu Godai, the influential entrepreneur of the Meiji era who laid the foundation of the modern Japanese economy.
JORDAN is a lonely Manhattan painter. When GINGER, a suicidal 19 year old squatter calls Jordan by accident, she threatens to kill herself if he doesn't meet her for lunch. This dark dramedy is 'Breakfast at Tiffany's' on lithium. 16mm film
Shy Nina is still living with her grandmother in her mid-20s. The lovely grandmother gives her granddaughter a pile of money to finally make something of her life and hook up with a hot guy. That's what she does: she uses the money to make herself really chic. Meanwhile, Steve is crazy about the bombshell Kim, but at a party he falls in love with Nina and Kim is extremely jealous...
Makoto Fukamachi is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera's past, Makoto Fukamachi meets legendary Alpinist Joji Habu. Joji Habu is isolated from other people because of his reckless and thoughtless personality.
