Now We're in the Air

A flirtatious young woman takes a job in a busy office, where her presence is terribly disruptive. None of the men in the office can concentrate on their jobs while her charms are on display. Of course, she sets her eye on the one man who seems oblivious to her.

In this partially lost silent film, a man working as a motion picture extra in Hollywood westerns impresses a visiting sheikh with his boxing skills and is engaged to go to Arabia, where he becomes involved in warring and falls in love with a beautiful princess.

A press sheet printed in Exhibitors Herald and Moving Picture World in 1928 put forth the suggestion that “people in the need of a good hearty laugh should take this opportunity of getting it” by seeing a newly released comedy by Warner Bros., suggestively entitled Beware of Married Men. Since director Archie Mayo (The Petrified Forest) helmed this feature during the dying days of the silent era, the studio sought to enhance its commercial viability by embellishing the shot-silent picture with a synchronized music and effects soundtrack using the Vitaphone sound-on-disc system. Ultimately, these efforts went for naught, as the picture failed at the box office and quickly disappeared from theaters.

When a wealthy hypochondriac is dissatisfied by the care of the town doctor (Doc Arnold), he consults with a new physician in town who swindles him out of a large sum of money. When his daughter tries to retrieve the check, the quack (Dr. Bell) turns up dead with a gun shot wound to the chest. Doc Arnold lends his expertise to the investigation and solves the case by finding microscopic evidence on the murder weapon left at the scene.

Vantyne Carter is a playboy living in luxury off his father. Vantyne's cousin Teddy, meanwhile, leads a fine upstanding life - or at least he appears to, so he can curry favor with his wealthy uncle, Vantyne's father. One day, the senior Carter, fed up with his son's antics, decides to play a trick on both Vantyne and Teddy. The old man and his lawyer go off on a hunting trip, and then the lawyer returns with news that Carter was killed in an accident.

Mistaken for a famous jockey, a young man uses it to his advantage - until he actually has to race a horse.

A young girl, Rose Eastmen lives with her lazy Uncle, who works as a janitor in a publishing house. Lacking education, both Rose and her Uncle are susceptible to the socialist ideas of writer Rudolph Creig. One day Rose encounters Jack Steven's the wealthy son of the publishing house, working on his car. She believes he is a common laborer, and begins seeing him. Through her exposure to Jack, Rose begins to realize the rich are not such an abominable people. Rudolph has also reached this conclusion after learning Steven's has published his book. Now with a hefty royalty check and success, Rudolph is able to marry Rose.

Betsy Harlow is a hard-working maid in a boarding house. Her dream. however, is to be a detective, a dream she shares with her boyfriend Oscar, a delivery boy for a local grocer. One day a mysterious character named Harry Brent takes a room at the boarding house. Harry, seeing that Betsy is falling for his rather shady charms, persuades her to help him get a box of jewels owned by the Jaspers, an elderly couple who lives across the hall. It turns out that Harry is not quite who he seems; neither, however, are the Jaspers.

A 1919 film directed by Sidney Franklin.

A 1925 film directed by Sidney Franklin.

Lawyer Hanover Priestley plots with his friend Henry Winkley to marry off young heiress Leila Calthorpe to Winkley's nephew, John Warren. When John refuses, preferring to select his own wife, they lure him east by a false report of Winkley's death. Indignant at his rebuff, Leila disguises herself as Perkins, a maid, and romances him, leading him to believe that Aunt Agatha is the heiress. Complications develop, and after saving her from a fire John discovers her identity and agrees to marry her.