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A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.
Exploring the timeless landscape of the Judean desert like a lost space-traveller, a woman examines plants and animals. Synthetic sounds defy all logic.
In a regenerating post-apocalyptic world, the only remaining traces of naturally reproduced life face extinction.
From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.
While working aboard the International Space Station, Spanish astronaut Mar and Russian cosmonaut Petrov have an unexpected encounter in space.
While on a routine mission, an astronaut soon finds herself battling for command, facing forces known - and unknown - intent on destroying her.
The film focuses on the thoughts inside the head of a man, an astronaut scheduled to go to the Moon. As he ponders the flight, he laments having an “ordinary” name he fears will not resonate throughout history. His thoughts lead him to consider some of the pioneers of flight-Icarus and his wings, the Montgolfier brothers and their balloon and the Wright brothers and heavier than air flight. (IMDb)
The subject matter of Memory Room 451 is the cultural and historical significance of 20th-century hairstyles – the Afro, the conk, dreadlocks – in Black communities on both sides of the Atlantic. Akomfrah has disguised this exploration as a science fiction story – in the manner of the groundbreaking writers profiled in The Last Angel of History – while providing a bravura display of the aesthetics of video art in the 1990s. The tale of visitors from the future who gather dreams from unwitting subjects in order to construct a history of the Black diaspora both defamiliarizes Akomfrah’s ongoing project and points to the danger that extracting history from memory can be a kind of expropriation.
On his maiden trip to Japan, a Samurai-obsessed American named Frank is taken to a local, hole-in-the-wall bar by his friend, Hiro. After being rejected by the first local girl he speaks to, Frank feels down on his luck, and to console him, the bartender offers him a drink called Absinthe in a bright green glowing bottle. To help console his friend, Hiro drinks the bottle with Frank, and the two of them promptly pass out. Together they wake up in Edo-era Japan, and are taken through a comedic time slip action frenzy where they have to work together to battle both samurai and ninja to find their way back home.