Big Black Wet Asses! 12

Hair or No Hair is a short dramatic film about a young Black woman. She has been hiding behind wigs for years until her Alopecia is exposed publicly. She uses this experience as a catalyst to break free of the shame she feels towards her baldness.

When London teenager Yemi’s big brother comes to live with him from Nigeria, Ikudayisi’s terrible fashion sense, broad Yoruba accent and misplaced confidence with the opposite sex threaten to destroy Yemi’s already small amount of street cred. When the pair are forced to spend the day together on their Peckham estate Yemi is forced to confront local bullies, the unattainable girl of his dreams and his own African heritage, eventually teaching both of them the values of family and self-respect.

The true history of this notorious group's rise and continued onslaught against organized sports-entertainment. Formed in 1996 by Scott Hall, Kevin Nash, and Hollywood Hulk Hogan, this poisonous faction spreads destruction as if it were butter! Featuring exclusive interviews with Scott Hall and Hollywood Hulk Hogan. Sit back and destroy!

One year later, Michael Myers' traumatized young niece is horrified to discover she has a telepathic bond with her evil uncle... and that he is on the way back to Haddonfield to begin the carnage again.

In a rapidly changing America where mass inequality and dwindling opportunity have devastated the black working class, three Detroit men must fight to build something lasting for themselves and future generations.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.

The powerful tales of seven diverse African-American women are woven together in this 1982 performance of Ntozake Shange's Obie Award-winning landmark play. A breakthrough portrayal of black women's experiences in America, the story combines music, poetry and dance to celebrate their unique culture while painting a poignant portrait of their terrible struggles.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

In a world overtaken by eternal darkness, the buttoned down entomologist abandons his phantoms to embrace the unknown.

Featuring footage spanning from 1901 to 1985, this little-seen footage has been found from all across the UK. This programme allows an exploration into stories of migration, community and also the struggle against inequality, while also providing the opportunity to celebrate black British culture and life on screen. Films in the programme include: Miners Leaving Pendlebury Colliery (1901), Hull Fair (1902), For the Wounded (1915), From Trinidad to Serve the Empire (1916), Hello! West Indies (1943), Mining Review 2nd Year No. 11 (1949), To the Four Corners (1957), Black Special Constable (1964), Black Police Officers (1966), Cold Railway Workers (1964), Nigerian Wedding in Cornwall (1964), Coloured School Leavers (1965), London Line No. 373 (1971), African Student Families (1975), Liverpool 8 (1972), Blood Ah Go Run (1982), The Jah People (1981) and Grove Carnival (1981)