Reducing Creme

Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.

Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.

A Pete Smith Specialty short on saving an important dinner after the household's cook suddenly quits.

It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.

A house is visited by a clean, organized, well-mannered guest.

A grand collision of Mizue’s signature visual music forms and Onohana’s mesmerizing impressionistic illustrations, featuring music by Twoth.

A man dying of thirst descends further down a labyrinth consisting of nightmarish Bosch-esque creatures.

When Ed's best friend, Liam, takes him on a surprise camping trip in a secluded desert, he becomes suspicious about Liam's true intentions.

Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.

Bernard faces the stereotype of an animal predator, one you wouldn’t cross paths with. Feeling resigned, he tries to express the truth about his isolation, and suppress the call of nature in him.