Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Adrienne Iapalucci The Dark Queen 2024 - Movies (Nov 12th)
In Restless Dreams The Music of Paul Simon 2023 - Movies (Nov 12th)
The Exorcism 2024 - Movies (Nov 12th)
Larger than Life Reign of the Boybands 2024 - Movies (Nov 12th)
Another Happy Day 2023 - Movies (Nov 12th)
Look Into My Eyes 2024 - Movies (Nov 12th)
Goodrich 2024 - Movies (Nov 12th)
Rumours 2024 - Movies (Nov 12th)
Your Monster 2024 - Movies (Nov 12th)
Saturday Night 2024 - Movies (Nov 12th)
Heretic 2024 - Movies (Nov 11th)
Gladiator II 2024 - Movies (Nov 11th)
Magpie 2024 - Movies (Nov 11th)
Frankie Freako 2024 - Movies (Nov 11th)
Beauty and the Billionaire Bali 2024 - Movies (Nov 11th)
Megalopolis 2024 - Movies (Nov 11th)
The Chase Australia - (Nov 12th)
Storyville - (Nov 12th)
Tipping Point - (Nov 12th)
Taskmaster - (Nov 12th)
Four in a Bed - (Nov 12th)
The 11th Hour with Stephanie Ruhle - (Nov 12th)
Rip Off Britain - (Nov 12th)
Watch What Happens Live with Andy Cohen - (Nov 12th)
Letters and Numbers - (Nov 12th)
After Midnight - (Nov 12th)
The Voice - (Nov 12th)
Love Island Australia - (Nov 12th)
Return to Las Sabinas - (Nov 12th)
The Ingraham Angle - (Nov 12th)
Special Report with Bret Baier - (Nov 12th)
Jesse Watters Primetime - (Nov 12th)
Hannity - (Nov 12th)
Gutfeld - (Nov 12th)
The Five - (Nov 12th)
The Chocolate Queen - (Nov 12th)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A breathtaking quest for the dream the imposing city of Brasilia was based on, a marked contrast with the chaos of the adjacent construction workers' village. Everything about Brasilia was devised and designed, but not on the basis of some cold urban design concept: the plan proves to originate from 19th-century priest Don Bosco’s dream. The chaos and disorder of the adjacent construction workers' village Vila Amauri long stood in stark contrast to the grandeur and majestic regularity of Brasilia. Now the village has disappeared beneath the reservoir’s surface, the necessary order has been restored. All Still Orbit examines both these histories.
A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
A symphony of found footage scenes, each shot loosely connected to the one before.
Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.