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No demons, just excellently written angels. Produced, directed and written by Ben Hecht, Angels Over Broadway is a film that I personally hadn't heard of until it showed up on one of the British Freeview stations this last week. The first thing what surprised was the bona fide classy cast list, Mr Charm himself, Douglas Fairbanks Jr, Miss Beautiful 1940, Rita Hayworth, Mr Ever Watchable, Thomas Mitchell & Mr Undermentioned, John Qualen. The next thing that surprised me was during a bit of research I learned that critics of the day gave the picture a hard time for not soft soaping the audience, madness really, because this is a razor sharp and highly efficient picture. Set around one night on Broadway, our four main characters come together courtesy of Charles Engle's {Qualen} intention to kill himself over a huge debt. Mistakenly thinking that Engle has loads of cash to burn, Bill O'Brien {Fairbanks} enlists Nina Barona {Hayworth} in the hope of luring Engle to a poker game run by seedy gangster types, and thus fleecing him of his cash, where of course the pair of them will get a cut. Yet boozy playwright Gene Gibbons {Mitchell}, upon learning of Engle's suicidal leanings, hatches a plan to turn the tables on the poker fiddlers and turn Engle's life around. Naturally tho, not everything is going to go to plan! A smashing film that shines brightly with quality acting and comically astute writing, so if you get the chance then give it a go and you might be as surprised as I was. 8/10
This was a fun watch, included in my oddly-titled yet truly economical Mill Creek 'Classic Romances' 8-pack, which I purchased because I love old movies and it was only $10. Though if you really stretch the definition of 'romance', the designation fits, that aspect is but a very minor component of this, and the other films', workings. The 2-time Oscar winner (both wins, and all six nominations, were for screenwriting prowess) Ben Hecht directed this, and he did a decent job, even throwing in the odd bit of idiosyncratic flair. I must admit though I admire him more for his writing--he's made such a mark on cinema with simply the handful I'll casually mention here (Underworld--an Oscar-winner, The Front Page, Scarface, Nothing Sacred, Angels with Dirty Faces, Gunga Din, His Girl Friday, The Shop Around the Corner, Foreign Correspondent, Lifeboat, Spellbound, Gilda, Notorious, Rope) from ones I have personally seen and adored. I must admit I'm more familiar with Douglas Fairbanks Sr.'s work than that of his son here, and it's really different watching Rita Hayworth at this stage of her career, playing a shy, naïve waif--nothing like the force of nature she would become just a few years later with 'Gilda' and her short, tempestuous marriage to Orson Welles. In short, the story works for me, that of a boozing playwright, struggling actress and hustler helping a suicidal man out of a jam. It's a sweet little movie that's worth owning and rewatching. I honestly wish they still made little wonders like this these days. Not everything has to be either Star Wars or Hamlet.
A classic noir murder mystery based on the same name detective book by Bogomil Raynov
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.
Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.
Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions - that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
A private detective takes on a case that involves him with three eccentric criminals, a beautiful liar, and their quest for a priceless statuette.
New York City newspaper writer J.J. Hunsecker holds considerable sway over public opinion with his Broadway column, but one thing that he can't control is his younger sister, Susan, who is in a relationship with aspiring jazz guitarist Steve Dallas. Hunsecker strongly disapproves of the romance and recruits publicist Sidney Falco to find a way to split the couple, no matter how ruthless the method.
