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'Capone' disappoints. It's not what I was expecting. I hadn't heard much about it admittedly, but I was anticipating a full blown film about Al Capone - especially with the casting of Tom Hardy. That's not a bad thing in isolation, at all, but coupled with iffy storytelling it ends up being a waste. Hardy (Al) is undoubtedly the best thing about this, yet I still think he had way more in him for this sort of role - if the filmmakers had allowed him to use it, of course. There aren't any standouts behind Hardy, though Linda Cardellini (Mae) and Kyle MacLachlan (Karlock) are OK. There's nothing I massively dislike about this, I just wanted so much more from it. It is, I will say, at least a film that makes you think - I just don't, personally, think it came out as perhaps intended.
Bobby De Niro's Al Capone in The Untouchables could make you figuratively crap your pants. Tom Hardy's Capone, on the other hand, is the only one soiling his pants – literally. In the Godfather, Don Vito Corleone leaves, through Luca Brassi, a horse's head on Jack Woltz's bed. In Capone, the only thing the titular character leaves in a bed, which happens to be his own, is his dinner – after he has digested it. The events of Capone take place during Al Capone's final year on Earth, when the notorious criminal was “no longer considered a threat” to anyone or anything other than his underwear or his bed sheets. This film is arguably the second lowest point in the Al Capone mythos, following The Mystery of Al Capone's Vaults. Not unlike Geraldo Rivera, Capone purports to give us access to the vault that was the mobster's psyche during his last days, and the result is equally disappointing. In theory no movie should be too bad that includes Hardy (or at least the Tom Hardy I remember from The Revenant), Kyle MacLachlan and Matt Dillon, but Capone gives them very little to do. MacLachlan looks as if he got lost on his way to the Twin Peaks set, Dillon wastes his considerable talent on some sort of Sixth Sense-esque routine, and Hardy spends the entire film wearing a prosthetic masks that covers the entire surface of his face and skull, making him look like Michael Myers in Halloween 3000: Massacre at the Old Folks Home. The worst part of the whole thing is that the majority of events in Capone take place only in the protagonist's feverish, senile mind, and while there's nothing wrong with a film that reflects the deteriorated mental state of a character – e.g., The Machinist –, my problem is that director/writer Josh Trank has no way of knowing what was going on in Al Capone's head during his last days of life; in other words, he's making this stuff up as he goes, and this gives the film a double layer of unreality. Put another way, we are dealing with not one, but two levels of fantasy; there's the character's ravings, and then there's the filmmaker's musings as to what the actual person's ravings might have been. We cannot expect to gain any new insights from this approach, and indeed the film fails to reveal anything important or relevant about its subject.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
After killing a prison guard, convict Robert Stroud faces life imprisonment in solitary confinement. Driven nearly mad by loneliness and despair, Stroud's life gains new meaning when he happens upon a helpless baby sparrow in the exercise yard and nurses it back to health. Despite having only a third grade education, Stroud goes on to become a renowned ornithologist and achieves a greater sense of freedom and purpose behind bars than most people find in the outside world.
The true story of boxer Jim Braddock who, following his retirement in the 1920s, makes a surprise comeback in order to lift his family out of poverty.