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Mann's film will certainly please those who are fans of 'Grand Hotel' and other such star-packed films with a soap operatic-flavor, although it definitely is smaller in scale. It has several of my favourite stars from that era, such as Deborah Kerr, Rita Hayworth, David Niven, Dame Wendy Hiller, Burt Lancaster and Rod Taylor, and their interplay befits such fine casting. It's weird seeing Lancaster and Niven cast as rogues, that a film set in Dorset, England was made entirely in Hollywood and that the screenplay was an amalgamation of two one-act plays by Terence Rattigan, opened up in order to include more stars. The endeavor worked, as Best Adapted Screenplay was one of its seven Oscar nominations (it ended up winning two, for Niven and Hiller's performances). I heartily recommend the film to anyone who enjoys either any of the aforementioned stars or fine films of the era (especially ones about the British, and ones derived from the stage). It'll certainly be 100 minutes worthy of your effort--Mann was one of the best at this sort of thing (also see 'Marty' if you have any such doubts)...
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
A federal agent searches for a potential killer among the bizarre residents of a dilapidated Los Angeles hotel.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.