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Robert Donat is great in this adaptation of Alexandre Dumas's classic novel. He is the wrongly imprisoned "Edmond Dantes", an honest sailor sent to live out his life on a prison island, never to return. He tunnels, and as luck would have it, rather than the sea he discovers another long-term inmate the "Abbé Faria" (OP Heggie), an elderly priest who refused to divulge to the authorities the whereabouts of the legendary treasure of "Monte Cristo". Dying, the man reveals that secret to "Edmond", who cleverly manages to substitute his body for the old man's corpse upon his death, and who is now lobbed into the sea - only to be rescued, discover the treasure and set upon his path of retribution on those who committed him to his life of torture. His vengeance is perfectly measured. He uses their own foibles - their greed, vanity and lust for power to cleverly allow them to manoeuvre themselves into the eyes of the public, and ultimately of justice. His former love "Mercedes" (Elssa Landi), thinking him dead, had gone on to marry one of the perpetrators and borne him the young "Raymond" (Louis Calhern) who might just remind "Dantes" of the humanity he has long abandoned as his search for revenge became an obsession, and perhaps offer him some opportunity for redemption. The production is lavish and grim as the scenarios demand; the supporting cast play well, and the story is an epitome of man's inhumanity to his fellows. The dialogue is a touch wordy, Rowland V Lee could have remembered a little better that we could see a lot of what he allowed the characters to describe to us, but that said it is well paced and looks great almost 90 years after it was released. For my money, the best of any of the screen versions of this author's exciting stories.
Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
Five different criminals face imminent death after botching a job quite badly.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.