Possessions 2024 - Movies (Apr 25th)
Dusk for a Hitman 2023 - Movies (Apr 25th)
Love Lies Bleeding 2024 - Movies (Apr 25th)
Blood for Dust 2023 - Movies (Apr 25th)
City Hunter 2024 - Movies (Apr 25th)
Good Burger 2 2023 - Movies (Apr 25th)
Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
Mean Girls 2024 - Movies (Apr 24th)
Civil War 2024 - Movies (Apr 24th)
Hanky Panky 2023 - Movies (Apr 24th)
The Beekeeper 2024 - Movies (Apr 23rd)
Munch 2023 - Movies (Apr 23rd)
Drive-Away Dolls 2024 - Movies (Apr 23rd)
MR-9 Do or Die 2023 - Movies (Apr 23rd)
Justice League Crisis on Infinite Earths Part Two 2024 - Movies (Apr 23rd)
Accidental Texan 2023 - Movies (Apr 23rd)
Big Little Crimes - (Apr 25th)
Money for Nothing - (Apr 25th)
Gogglebox Australia - (Apr 25th)
Epleslang - (Apr 24th)
The Bold and the Beautiful - (Apr 25th)
Lets Make a Deal - (Apr 25th)
The Price Is Right - (Apr 25th)
The Talk - (Apr 25th)
The Young and the Restless - (Apr 25th)
Weatherman Walking - (Apr 25th)
Love Triangle - (Apr 25th)
Watch What Happens Live with Andy Cohen - (Apr 25th)
The Amazing Race - (Apr 24th)
WWE Main Event - (Apr 25th)
The 11th Hour with Stephanie Ruhle - (Apr 25th)
Bangers and Cash - (Apr 25th)
Pawn Stars- Best Of - (Apr 25th)
Deal or No Deal - (Apr 25th)
Not Dead Yet - (Apr 25th)
Motorway Patrol - (Apr 25th)
How does a non-actor become the lead in the highest grossing movie of the year and then not continue to act afterwards? Do we have a new genre of film – the Docody (can I call a documentary-comedy that, because it sounded better than commedary)? Is all of this just stranger than fiction? All of these could be used to describe this film, but there is so much more to George Lazenby's life story... especially the way he tells it... So, what is it then? Firstly, Becoming Bond is not the Thin Blue Line, Grizzly Man, Bowling for Columbine, Citizenfour or any of the Oscar winning documentaries that you've seen. In Becoming Bond, Lazenby talks about his life, at times brutal honesty and poignancy. Distilled from about forty hours of interviews, it could be surmised as boy meets girl, boy becomes man, man becomes Bond – but that sells it short. George has lived an interesting life and describes it in equally engaging ways. What this means for the narrative is that sometimes the truth is not always bland... so much so that 40 minutes in: Director: How much of this story that you’ve told me is true? George: Which one? Director: The whole story... George: Hey, how can I remember it if it wasn’t true? Becoming Bond is made similarly to Touching the Void with actors dramatising parts of the story. But where that doco was drama, this is more comedic and fittingly, the acting here is playful – reminiscent of the TV series and archetypes of that era (think Batman or the Brady Bunch). Technically, the film is solid, the directing and editing are sound and the score hints at Bond themes whilst staying individual (much like George's Bond). Josh Lawson has obvious fun (he picks up George's swagger and little mannerisms well) and little cameos also pepper the film (Jane Seymour, Dana Carvey). One criticism that can be raised is that the secondary characters are very one dimensional, but I feel this is in line with the narrative of the film – it's George's take on his own life. Becoming Bond is one of the most enjoyable documentaries I've seen. It's not a perfect film; Shakespearianly dramatic; nor is it covering a life changing topic. But what makes this movie special is that its just how I'd picture it if I happened to have the good fortune to ask George the same questions over a beer or six. And thats a credit to both the filmmakers and Lazenby.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.
Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.
When an overconfident teen alien gets behind the controls of a spaceship, he must attempt to abduct a slumbering farmer under the watchful eye of a critical instructor. But abducting humans requires precision and a gentle touch, and within a few missteps it's painfully clear why more humans don't go missing every year.
"The World According to Arild Kristo" - A portrait of the Norwegian photographer, designer, screenwriter and filmmaker Arild Kristo (1939 - 2010). The son of a cabaret singer. Who made his first film only 11 years old. Worked as a piccolo at Hotel Bristol in Oslo . Took to the sea and was involved in the filming of "Windjammer" (1958). Freelance photographer in the US during the 60's. An outsider who lived a very different kind of life. In Paris or Berlin or Oslo.
From the biggest festival to the smallest church social, Kenny Smyth delivers porta-loos to them all. Kenny tackles every septic challenge that comes his way, culminating in a visit to the International Pumper and Cleaner Expo in Nashville Tennessee - or as Kenny affectionately calls it, "Poo HQ".
Documentary about the life and career of Elvis Presley produced for Sky Arts. Includes rarely seen clips and photos from throughout Elvis' career as well as comments from music historians and musicians, songwriters, producers, actors, etc. who worked with him. Narrated by producer/director David Upshal.
Hopkins’ career has spanned several decades, which is why we will also use many interviews that he gave throughout his life, allowing us to put him back into the context of each period and will be helpful in understanding his role in the history of cinema, because he was far from following the trends. He never belonged to any film movement; he is a chameleon that has always preferred natural acting, ‘non-acting’ when method acting was the fashion.
Jane Birkin has forged a unique bond with France and the French. Between the small Englishwoman, muse of Gainsbourg, then of Doillon or Chéreau, and her adopted country, love at first sight was immediate and lasted for more than fifty years. This documentary goes back, through the prism of this unique bond, to the life and career of a peculiar artist in the French musical and cinematographic landscape. The intimate portrait of a freedom-loving woman.