Eine Pyramide für mich

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

Farsighted Falcon, chief of the Lakota, seeks refuge in the Black Hills with his wife Blue Hair and two warriors, sole survivors of their tribe. When they are attacked by the outlaw Bashan, Falcon strikes out for the town of Tanglewood to take on Bashan's boss, mining magnate Harrington.

Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.

On a forest road in the Brandenburg March, village teacher Potsch accidentally encounters the distinguished Professor Menzel, who got stuck there in his car. In the conversation that ensues, Menzel and Pötsch quickly discover that they both are great admirers of the early 19th-century writer Max von Schwedenow who was born in the area.

Jonas and Ines are in love and want to spend their vacation together camping on the Baltic coast. But Ines’s narrow-minded parents intervene and insist that the young couple joins the family vacation. Problems arise, so everyone ends up traveling to the Bulgarian Black Sea on their own. Along the way, Jonas meets a beautiful Dutch girl who is going to India via Turkey…

Scenes from an East German marriage. A young couple, Sonya and Jens, are very much in love; they get married and have a child. When Sonya wants to go back to work after her maternity leave, they clash for the first time; Jens insists that she remain a full-time wife and mother. Until Death Do Us Part turns an actual police report into a gripping drama, as the director explores the depths of his characters' emotions, driving the conflict to a catastrophic climax.

Based on a true story, Miguel Alexandre's two-part drama focuses on an East German woman and the fight for her children. Spring 1982: Sara Bender, living with her daughters Silvia and Sabine in the East German town of Erfurt, wants to marry her colleague Peter, but shortly before the wedding, her father is killed in a road accident. As the funeral takes place in West Germany, she isn't allowed to got there, so she starts planning to leave her communist home country forever. Trying to flee via Romania, she is caught by the secret service. After years in jail, Sara is ransomed by the West German government, but without her daughters. To draw the world's attention on her desperate situation, she starts demonstrating at the Berlin border crossing Checkpoint Charlie

Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister.

The school authorities want to read success stories in director Joachim Faber's reports. But they cannot simply be produced on an assembly line. Pupils, for example, use the wrong tone. The matter draws circles until the superiors finally talk about refusal to work. Director Faber is caught between the efforts to resolve the conflict with pedagogical means and the pressure from above.