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You will go wherever I tell you. Kurt Neumann directs Carnival Story, starring Anne Baxter, Steve Cochran, Lyle Bettger, George Nader and Jay C. Flippen. Music is by Willy Schmidt-Gentner and cinematography by Ernest Haller. Set in Munich, Germany, plot centres on the workings of Grayson’s travelling carnival. The perils of love, infatuation and high diving acts come crashing together. Filmed in Agfacolor/Technicolor and unfurling its narrative in a carnival atmosphere, Carnival Story is pleasing enough on the eyes and ears. That is once you get used to Baxter’s German accent that is! Willi (Baxter) is the fulcrum for everything that happens, caught picking the pocket of carnival worker Joe Hammond (Cochran), she ends up getting employed by the owner Charley Grayson (Flippen). From there she starts to literally rise up the ladder of success whilst indulging in a torrid love triangle with Joe and Frank Collini (Bettger). The temperature never gets above lukewarm settings, the narrative getting bogged down by a repetitiveness that grates entering the last third of film. There’s much swooning and sexual discord, but it never steams the screen up, this in spite of Cochran’s animal magnetism and Baxter’s natural sexuality. While Flippen is under used and Bettger unsuited to the role of a swim trunk wearing high diver. It’s all a bit flat in story telling terms, even the ending fails to close pic down with thrilling wonder. A missed opportunity here, but fans of Cochran doing bad boy are well served, as are those of us who have lusty lustations for Annie Baxter. 5/10
Maybe not a film Anne Baxter will look upon whilst compiling a list of her top ten films. She plays "Willie" who runs away to join a circus in Germany where she quickly learns the ropes, rising to become the star turn. Meantime, she has fallen for the rather ruthless owner Steve Cochran ("Joe") but is also quite keen on acrobat Lyle Bettger ("Frank Colloni") whom she marries - then tragedy strikes! It's actually quite an entertainingly filmed piece of melodrama - if you don't impose 21st century attitudes to 1950s circus acts (and some mean knife-throwing); but there is little to redeem the really rather hammy acting and terribly lacklustre storyline - and Baxter's Germanic accent wouldn't ever have to worry Marlene Dietrich! A colourful nostalgia piece, but not much more.
An Italian businessman travels to Brazil looking for a new job. When things don't go his way, he becomes despondent until he meets a beautiful woman who reveals Rio de Janeiro's most magical, secret locales.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Ferdinand Weitel, a forklift driver, is desperate: Insurance agent Arno von Mehling, a true sales talent, has had contracts signed in record amounts. Now Weitel is wandering through the corridors of the insurance company trying to save what can still be saved - on Shrove Tuesday of all days. The department for customer service and complaints is in a colorful mood and has no ear for Weitel's worries. Finally, secretary Annerose Waguscheit takes heart and tells him about the evening carnival ball "Traum-Police", where he can safely find Mr. Mehling.
A bible salesman finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership as a money-making con team in Depression-era Kansas.
Tired of the noise and madness of New York and the crushing conventions of late Eisenhower-era America, itinerant journalist Paul Kemp travels to the pristine island of Puerto Rico to write for a local San Juan newspaper run by the downtrodden editor Lotterman. Adopting the rum-soaked lifestyle of the late ‘50s version of Hemingway’s 'The Lost Generation', Paul soon becomes entangled with a very attractive American woman and her fiancée, a businessman involved in shady property development deals. It is within this world that Kemp ultimately discovers his true voice as a writer and integrity as a man.
A young Southern débutante temporarily abandons her posh lifestyle and upcoming, semi-arranged marriage to have a lustful and erotic fling with a rugged drifter who works at a local carnival.
The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.
Stanton Carlisle joins a seedy carnival, working with "Mademoiselle Zeena" and her alcoholic husband, Pete.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash.
A magician in a carnival-who actually can read minds and levitate people and objects-works with a superintelligent chimp named Alex, who can also talk. The magician and the chimp soon become the stars of the carnival, drawing in big crowds. However, the wild-animal trainer, who has been displaced by the team as the carnival's top act, decides to kidnap Alex and sell him to a medical laboratory for experimentation, thereby getting rid of his competition.
