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So everyone is dead for unknown reasons save a guy who hangs out in the library. Now... where have we seen that before? Anyway, they clearly spent their money on the cast. It is a small film, with a small cast, and a small budget but it is done exceptionally well given what it is, but there is some actual power behind it. There are also a lot of miles to burn, and it's slow moving. However, it is a great story for the most part, until the end, where they had to do something to make for a climax and it veered away from the reclusive loneliness that was fine with the world ending... ...And that is where it probably lost a lot of people, but, again, they had to do something to make for an ending, otherwise it would dangle for an eternity, they just sort of made the wrong decision and broke up what the film felt like it was going to be about. Otherwise it's a watchable and moody film.
I did enjoy 'I Think We’re Alone Now' enough, but it does feel like they only scratched the surface of the plot. There's a lot of build-up, but not much reward. I still got enough from it, but I can understand the seemingly lukewarm reaction to this 2018 release. Away from that, I knew I'd get a strong performance from Peter Dinklage and he didn't let me down. Elle Fanning, meanwhile, is solid behind/alongside him. The film sets the ambience well throughout, especially at the beginning, and everything onscreen is shot pleasantly. I did find some of the music, albeit all good, out of place/overly loud in moments. Elsewhere, I personally found the run time to be finely chosen, I just think they could've utilized the 95 or so minutes better.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.
Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. His son is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".
A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.