We Moderns

A jazz-mad Nancy Burrard is a young matron easing her boredom by flirting with married men.

A Yankee Princess is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It was directed by David Smith and stars Bessie Love, who also wrote the screenplay. It is a lost film.

The Little Boss is a 1919 American silent romantic comedy film directed by David Smith and produced by Vitagraph Studios.[2] The story and screenplay were by Rida Johnson Young starring Bessie Love and Wallace MacDonald.

Peggy ( Bessie Love ) and her sister Frances ( Myrtle Reeves ) live with their father, but because of his idleness, they must all move to humbler quarters. Peggy adapts quickly to their new surrounding, while Frances misses the social life she once enjoyed. Their neighbors are well off, and Peggy begins a romance with their son, whom she thinks is the chauffeur. Meanwhile, Frances has become involved with a roguish character and plans to elope with him. Peggy saves her sister from imminent disgrace, but comes close to compromising herself instead. Peggy's sweetheart comes to her rescue and now his true identity is revealed to the very grateful girl.

Wealthy New York girl, Susan Van Dusen, in search of thrills and laughter, leaves home and finds work with a private detective agency. She meets Tod Waterbury, who, under another name, is working as a cab driver (in search of story material for a novel), and the two fall in love.

Aspiring newsreel camera girl Pat Clancy, is hired by her father, a publisher, to work on The Sun and causes Scoop Morgan, the paper's best cameraman, to quit in protest of the hiring of a woman. The Mercury hires Scoop, and there begins a heated rivalry between him and Pat. Pat gets a few lucky breaks and manages to get a beat on Scoop during her brief career. After she exposes the theft of a jewel from the turban of a visiting maharajah, she and Scoop are kidnapped by Clayton, the thief, and taken aboard his yacht. Rescued, she and Scoop find love and happiness.

A product of wealth and high society, Patricia Mansfield is sent to Colton College by her father, who hopes to eradicate her snobbish veneer. On the train, Pat meets Denis Adams, a prominent athlete who is working his way through school as coach of the girls' track team; he introduces her to track star Charlie Paddock. Through efforts to keep her associates in place, Pat sinks deeper into the mire of antagonism; her only friends are Harriet Porter and Knute Knudson, the Swedish janitor.

American shop-girl Julie McFadden, wins a free passage to Paris; en route she meets Robert Van Wye, who has to kiss her when she loses a sack race. In Paris, Julie finds her proposed residence destroyed, and while waiting for Bob her purse is snatched; in the ensuing chase she gets lost and enters a dressmaker shop, where the two owners are in dire need of an English-speaking girl to deliver some gowns. Accidentally she is given free entry to the apartment of Countess Pasada and is shown to her rooms; the count is in his pajamas when she emerges from her bath, and she locks him in the bathroom.

After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.

"Waffles," the waitress at "Coffee Dan's" hash-house, is selected by Bert Gallagher and Clara Johnstone, a pair of crooks, to be represented as a missing heiress whose story they have read about in the papers. "Waffles" herself believes the story, as she was orphaned early and remembers little of her childhood, and by adroit coaching is able to convince the estate's none too bright lawyers of the validity of her claim. With this unlimited money, poor little "Waffles" nevertheless has only three desires: to buy the little restaurant for her old benefactor, Shorty Olson, to publish the music written by her lover, Carl Miller, a young, eccentric, absent-minded musical genius, and to adopt the baby that a Mrs. O'Shaughnessy is too poor to care for.

Buddy Watson, the youngest of three brothers, and just getting accustomed to long pants, meets Elsie Forster at a church social and is smitten by the young lady's charms. He writes, addressing the letter simply, "Miss Forster," asking permission to call. Elsie gets the note and joyously answers "yes," but Grace, her sister, sees the letter and is quite sure he means her.