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Bridge of Lies - (Jun 26th)
Homes Under the Hammer - (Jun 26th)
Airport 24/7 - (Jun 26th)
Money for Nothing - (Jun 26th)
Claire Hoopers House of Games - (Jun 26th)
Love Island- The Morning After - (Jun 26th)
The Chase Australia - (Jun 26th)
Train Rescue Down Under - (Jun 26th)
Shed and Buried - (Jun 26th)
Teen Mom UK - (Jun 26th)
The 11th Hour with Stephanie Ruhle - (Jun 26th)
Watch What Happens Live with Andy Cohen - (Jun 26th)
Poker Face - (Jun 26th)
PopMaster TV - (Jun 26th)
Dateline- Secrets Uncovered - (Jun 26th)
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WWE Evolve - (Jun 26th)
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**A pretty decent movie, which bets everything on average and family comedy.** As I've had occasion to say in other reviews I've written, I'm not particularly fond of romantic comedies, although I believe I can appreciate quality and value when they're there. During the pandemic, when we were all shut up at home against our will (I handled it well, but I had friends on the verge of a nervous breakdown), a friend of mine spoke to me about this film and said he didn't like it at all, because it gave viewers a negative message, trivializing the act of leaving someone at the altar. At the time, I thought it was strange, but I ended up not seeing the movie. I saw it now, and I tend not to agree with my esteemed friend. The script begins with a disagreement between a woman from a small town and a writer and journalist from the big city, when the latter writes, in his newspaper column, about her and the succession of fiancés she has already abandoned at the altar. Obviously offended, she responds to the article, causing him to lose his position at the newspaper. Of course, he doesn't give up: he goes to that city and decides to investigate her. The rapprochement between the two will eventually lead them to an unlikely romance. In fact, I think my friend took the film too seriously. Anyone with intelligence understands the difference between a joke and something serious, so I don't think anyone will take the movie seriously. Also, the movie was released in 1999, and we are in 2022… in the present times, who is the couple that thinks about getting married? There are, of course, but they are few in a world where jobs, homes and romantic relationships are less planned to last a lifetime (it's one of the problems of the modern world, in my opinion, but it's the truth). The film relies heavily on the performances of Julia Roberts and Richard Gere, who we've already seen together in great shape in “Pretty Woman”. Personally, I liked "Pretty Woman" a lot more, as the characters were much more palatable. Here, we essentially have a duel of egos between two stubborn people who will eventually see the good in each other. There is also a very high degree of predictability in the story told, but this is one of the recurring problems in romantic comedies, where characters almost invariably end up at the altar. Despite all this, the work of Gere and Roberts is quite satisfying and will be able to please the fans of the genre. On a technical level, the film doesn't stand out or bet particularly, preferring to play it safe and keep a very conventional aesthetic and look. It's almost like the dish of the day in that cafeteria where we have lunch every day, after work: made to be cheap and to please most customers. So we have sets, costumes and filming locations that are simply regular, standard cinematography and a bland soundtrack. The film stretches the script, there are pacing problems and moments when the film falls asleep due to sheer lack of subject matter. Much better is the design of the dialogues, quite witty and well-written.
Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam's sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack's critical, hawklike gaze.
An American master chemist plans to score big on a once in a lifetime drug deal. All does not go as planned and he is soon entangled in a web of deceit.
Ben Holmes, a professional book-jacket blurbologist, is trying to get to Savannah for his wedding. He just barely catches the last plane, but a seagull flies into the engine as the plane is taking off. All later flights are cancelled because of an approaching hurricane, so he is forced to hitch a ride in a Geo Metro with an attractive but eccentric woman named Sara.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
When a nihilistic guy crosses paths with a suicidal girl in high school, it marks the beginning of an unusual friendship that might take them both toward healing.
In the year after graduating college, Izzy struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable.
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love - and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
In a quiet summer corner of Wiltshire that is forever England, David and Janet decide to tie the knot. Unfortunately this is the cue for everyone else to take over proceedings, to the dismay of the couple and the increasing despair of Janet's father.
A New York writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.