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Invincible Fight Girl - (Dec 22nd)
Mysteries Unearthed with Danny Trejo - (Dec 22nd)
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The UnBelievable with Dan Aykroyd - (Dec 22nd)
48 Hours - (Dec 22nd)
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Totally forgettable and full of stereotypes
Edgar Rice Burroughs wrote his series of John Carter novels before space flight was more than a fancy. This movie is more adventure and romance and very little (if any) actual science. This movie is the best production of A Princess of Mars, the first story in the series, that I've seen. If you're a fan of the John Carter novels then you will probably get some enjoyment from John Carter. While there are some differences you'll meet some familiar characters and recognize quite a few relevant plot points. Not a great film, but not a bad one, either.
We sat down and watched this movie on Blu-ray yesterday evening to nicely end our little excursion day. This is a good film but it could have been (much) better. The film itself and its special effects are quite good. I would say that the special effects are very good. The airships are very cool looking. The design nicely captures the retro atmosphere of the book without looking silly. I think they made the green men too slim though. I have always pictured them as way more bulky and monstrous. I like Woola’s appearance although him moving around at “supersonic” speeds is a bit over the top. However, why is it that every film-company/producer/director/whatever now thinks that he can take an old classic, slam on the name in the title, and then do what the hell he likes with the material? This film has borrowed the basic idea and the names from Edgar Rice Burroughs John Carter book but almost nothing else. At most 10% of the story of the books is in the movie. The rest is pure invention and it does not improve the story. As a matter of fact it turns what was a good story into a standard unintelligent Hollywood faire. Been there, seen that, done that. The examples are plentiful, the white apes the size of dinosaurs, the city of Zodanga moves around (what the f…), most of the plot as I said before is invented, the Therns have a completely different role etc. etc. I especially dislike how they have made John Carter, the honorable gentleman from Virginia, into a fairly plain American guy who at first refuses to do the “right” thing. And what about these bloody wife and child flashbacks? That’s just disturbing. None of this improves the movie. It got 6 stars, it could have gotten 9 or 10 if it had followed the books properly. It is Disney’s own fault that this movie was a disappointment at the box office, they screwed with classical material…again.
Unfulfilled potential, still narrowly liked it. 'John Carter' can feel underdeveloped and underwhelming, you could even argue it aimed to replicate 'Avatar', but there's enough there that allowed me to find a fair amount of enjoyment. Taylor Kitsch is alright, I rate him, but a more convincing lead performance was necessary in my opinion. The rest of the cast, despite some well known names, fail to deliver anything noteworthy. Willem Dafoe works as Tars Tarkas, though only due to his distinctive voice; none of his dialogue etc. stand outs. The likes Samantha Morton, Mark Strong and Bryan Cranston give forgettable performances; arguably not their fault. The premise has all the possibilities to be great, sadly the film fails to make their mark with it. The ending is extremely rushed, even for a 132 minute production. Visually it's good, but that's one of very few plus points - I haven't got many truth be told, but anything less than a 7* feels harsh.
Dad raised us on what he lovingly called "Pulp Trash Novels" and that carried over to adult life where they are proudly displayed along side academic books. Actually they take the top shelf. So, walking into this I was scared and unfortunately I had every right to be. Now I am fine with artistic licenses, I wasn't expecting it to be exactly like any of the books. But I was expecting it to at least follow the source material a little, something more than just the names. In short, I was expecting a John Carter movie in more than just name only. And, frankly, this didn't even feel like a movie based on pulp adventure novels, which for me was a key point, it could take all the liberties it wanted so long as it still played out like a pulp adventure novel. Unfortunately, it fell short on this. And, to make it even worse, it was boring. If you like the source material, if you like adventure for really the sake of adventure and escapism, then stay away, stay far, far away.
At his mother's 70th birthday party, Yong-nam runs into Eui-joo, who rejected him in college. When the city is engulfed in toxic gas from a terrorist attack, the two must find a way to escape using all the techniques they learned in their college rock climbing club.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.