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***Southern Gothic with Burt Reynolds and action*** A moonshiner on a prison farm in Arkansas, Gator McKlusky (Burt Reynolds), gets released early under the condition that he helps the Feds break a moonshining ring backed by a corrupt Sheriff (Ned Beatty), who also happens to be the murderer of Gator’s little brother. “White Lightning” (1973) is a Deep South crime drama/thriller that mixes “Deliverance” (1972) with Peck’s “I Walk the Line” (1970), adding elements of “Bullitt” (1968) and the early Dirty Harry flicks. “Smokey and the Bandit” (1977) took the basic idea and satirized it. The creators really captured the early 70’s Deep South with loads of sweat and believable characters played by Beatty, Bo Hopkins, Jennifer Billingsley, Matt Clark and R.G. Armstrong. “Walking Tall” (1973) is a good comparison. The film runs 1 hour, 41 minutes, and was shot in Benton, Arkansas, and nearby parts (Keo, Scott, Little Rock, Wrightsville & Alexander). GRADE: B
Has some okay car chases/stunt work and Burt Reynolds is charming as usual, but the story never really clicked for me and I found my mind lingering. Personally I prefer spending that time watching Smokey and the Bandit again. Next I'll be checking out the sequel, Gator. **3.0/5**
A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.
The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.
It's the lawless future, and renegade biker Harley Davidson and his surly cowboy buddy, Marlboro, learn that a corrupt bank is about to foreclose on their friend's bar to further an expanding empire. Harley and Marlboro decide to help by robbing the crooked bank. But when they accidentally filch a drug shipment, they find themselves on the run from criminal financiers and the mob in this rugged action adventure.
Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.
The story of an idealist's rise to power in the world of Louisiana politics and the corruption that leads to his ultimate downfall. Based on the 1946 Pulitzer Prize-winning novel written by Robert Penn Warren, loosely based on the story of real-life politician Huey Long.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
A police officer confronts his teenage daughter while they are on holiday together after learning she is moonlighting as a prostitute with the help of a friend.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
A CIA agent hires hitman "El Mariachi" to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état.