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With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.
Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.
In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.
In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.
Publishing assistant Brett Eisenberg wants to be a big-time editor. However, she lacks self-confidence, a problem that isn't helped by her new, overbearing boss. Brett soon enters into a relationship with Archie, an older man who has plenty of his own issues, including alcoholism, diabetes and a difficult relationship with his daughter. Intent on helping Archie get past his problems, she turns to her dying father for advice.
The film is a high-concept project with five stories exploring the themes of motherhood and pregnancy, directed by women filmmakers from five former Yugoslav republics. “Croatian Story” follows an anguished painter who must decide whether or not to keep one of her unborn twins, diagnosed with Down syndrome. “Serbian Story” finds an expectant mother in the same emergency room with a charming killer. “Bosnia-Herzegovina Story” centers on a financially strapped Sarajevo family whose son?s lover is pregnant. “Macedonian Story” unfolds in a clinic where a drug addict struggles to keep her baby, and “Slovenian Story” ends the omnibus on a humorous note with a nun who finds her own way to immaculate conception.
August 1st in Zurich. An unbearably hot day. While many are celebrating the Swiss national holiday, five individual fates take their course: 1. As a symbol against capitalism in Switzerland, Vinc is planning an attack in the city centre. 2. Tibetan descendent Sonam is struggling to settle into her new job as a police officer – worse still, she makes a major mistake during her first operation. 3. Hunter Edi’s status quo is unbalanced when a financial predicament puts his morals to the test. 4. Young Ukrainian Sonja arrives in Zurich full of hope to surprise the love of her life – but she is in for an even bigger surprise. 5. Chilean Javier no longer feels at home in Switzerland and decides to return – with his daughter, but without her mother’s knowledge – to his motherland.