A Haunting in Council House 2024 - Movies (Jan 26th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Agent Recon 2024 - Movies (Jan 26th)
Get Fast 2024 - Movies (Jan 26th)
Emmanuelle 2024 - Movies (Jan 25th)
Bystanders 2024 - Movies (Jan 25th)
The Killers Game 2024 - Movies (Jan 25th)
Inheritance 2024 - Movies (Jan 25th)
The Intruder 2024 - Movies (Jan 25th)
Oh Canada 2024 - Movies (Jan 24th)
The Loneliest Road 2024 - Movies (Jan 24th)
The Flight of Bryan 2024 - Movies (Jan 24th)
When Money Breaks FTX 2024 - Movies (Jan 24th)
My Divorce Party 2024 - Movies (Jan 24th)
The Sand Castle 2024 - Movies (Jan 24th)
Grafted 2024 - Movies (Jan 24th)
Werewolves 2024 - Movies (Jan 24th)
This Is the Tom Green Documentary 2025 - Movies (Jan 24th)
Star Trek Section 31 2025 - Movies (Jan 24th)
Prosecuting Evil with Kelly Siegler - (Jan 26th)
Grand Sumo Live - (Jan 26th)
Oceanfront Property Hunt - (Jan 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
On Patrol- Live - (Jan 26th)
Mayfair Witches - (Jan 26th)
Marketplace - (Jan 26th)
The Fifth Estate - (Jan 26th)
The Masked Singer- AfterMask - (Jan 26th)
I've always found Peter Greenaway films rather hit or miss, and this rather theatrical effort I found more the latter. It all centres around a sort of immaculate conception birth at the Medici court and follows the anticipatory and resultant shenanigans as human nature is (quite literally) laid bare for all to see (and that nature doesn't always come off so well!) It has something of the bawdy romp to it, with some suitably appropriate ecclesiastical excesses and loads of colour - usually red - to liven it up. The story? Well though interesting for the first twenty minutes or so, I felt it fell into pantomime territory all too quickly. The cast are a collection of reasonably competent talent, but too much of the emphasis of this production is on the style, imagery along with an admittedly glorious choral score that does so much to add to the vivid and seamy look of this rather lengthy effort. The message is clear enough, but it has something of sledgehammer and nut to it; there is no subtlety or nuance to it, it's an intellectual brute of a film before a denouement that confirms what most of us - certainly those without religious convictions - may have expected from the outset. As with all of his films, this is certainly worth watching - but as to enjoying it, well I didn't really.
Rick (Rutger Hauer), a disaffected sailor turned hard drinking womanizer, returns home from six months at sea to find his wife (Corrigan), whom he was deeply in love, has unexpectedly left him and is now a junkie whore. Devastated, he tries to ease his pain with booze and cheap thrills. His wife's best friend (Dagmar Lassander) makes a move on him, and when he spurns her (after scewing her first, naturally) she plots her revenge. She does so in an ingenious way, by exploiting a fantasy woman of his, but her plan backfires with tragic consequences.
A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
When hedonistic but charming con man Elmer Gantry meets the beautiful Sister Sharon Falconer, a roadside revivalist, he feigns piousness to join her act as a passionate preacher. The two make a successful onstage pair, and their chemistry extends to romance. Both the show and their relationship are threatened, however, when one of Gantry's ex-lovers decides that she has a score to settle with the charismatic performer.
In 1934, the second most lucrative business in New York City was running 'the numbers'. When Madam Queen—the powerful woman who runs the scam in Harlem—is arrested, Ellsworth 'Bumpy' Johnson takes over the business and must resist an invasion from a merciless mobster.
A coming of age dramedy where infidelity, real estate, and Lyme disease have two families falling apart on Long Island in the early eighties. Scott, 15, is at the point in his life when he finds out that the most important people around him, his father, his mother, and his brother, are not exactly who he thought they were. They are flawed and they are human.
An NYU student visits a Mennonite friend in Lancaster, Pennsylvania after a fellow Mennonite is killed while protesting the Vietnam War.
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
A young couple on the run take a family father as a hostage and are shocked to realize that he actually is a serial killer who just murdered the family. With the police on the outside and the killer on the inside they now have nowhere to run and nowhere to hide, all whilst trying to solve their relationship problems... This is an action packed thriller with tongue in cheek
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
An employee at the French Embassy in Bangkok invites his wife to join him – and enjoy the benefits of their open marriage.
Kenneth Bianchi is a security guard whose attempts to become a police officer are repeatedly thwarted. He moves to California to live with his cousin Angelo and dates a string of women, becoming increasingly preoccupied with sex. Eventually the cousins decide to start an escort agency. After violently killing a prostitute they thought had betrayed them, Kenneth and Angelo begin committing a series of crimes that become a media sensation.