Pasajeros de una pesadilla

The controversies of human relationships are triggered in this story from the relationship maintained by Maria, an immature girl who permanently seeks to feel part of something and find the direction of his life, and Clara, her roommate a few years older than her . Clara, within her convictions, will try to be part of that path, guiding her to the point of falling into a sickly obsession.

The opera begins at the end. The woman has just experienced a terrible accident, a crash of both the computer and her brain to which the computer is connected. The first two parts take us through the reconstruction of her story, the use of her body, speech, memory and the data banks and central brain of the computer. She shares genetic, organic material with the computer as the computer replaces parts of her body with its cybernetic material. The relationship is unclear to both of them. Where reality exists is in a floating multi-layered network of hallucinations, fractured memories and her externalized inner life viewed on the computers screens, the film itself. She is physically present, witnessing and participating in the story on the stage, the computer, consisting of screens, sounds, musical icons and a glass central unit on which the woman performs her rituals of reconstruction. The story unfolds to her and to us simultaneously in a quest to understand what caused the accident...

An apparently halfway normal family of three generations to live with: father, mother, their mother, and two quite grown-up children share a well-equipped and structured apartment. The living room has a dining table, sitting area and sofa, built a little further into the depths of the squat. There is also a cellar.

A sweet little film about murder.

"Orgy or the small daily agonies" - Loosely based on the theatrical tragedy of Pier Paolo Pasolini, which tells of the sadomasochistic relationship between a Man and a Woman, both victims and executioners who move within separate worlds of solitude.

A man disguises as a servant to stay close to a woman he loves. Directors: Shiboprosad Mukherjee, Nandita Roy Writers: Shiboprosad Mukherjee, Nandita Roy Stars: Jeet, Priyanka Upendra, Koneenica Banerjee | See full cast & crew »

Two college boys were so closed to each other that they had to escaped from their relation after graduating from college. They met again in a wedding banquette ten years after that, sitting next to each other again, as in the past. Jae drove drunken Him to Him's far away home. The trip was long enough for them to review their relationship, but not good enough to repair it? Maybe the best distance for them to love each other is from wedding banquette to home.

Four childhood friends learn to cheat dice games from a heroine addict. They soon learn that the game of dice isn't about how the dice roll, it's about the people you roll with.

The film is about the suffering of a mother with one of her sons who asks her to sell the family home, one of the traditional old houses, to repay his debts, but she categorically refuses to bow to his request in favor of the "commandment" of her husband, who recommended before his death to keep the house.

Between 1405 and 1433, Admiral Zheng He of China led seven epic voyages to more than 30 countries, including Sri Lanka, India, Indonesia, Malaysia, Vietnam, Kenya and Tanzania. The admiral and his crew gathered knowledge and wealth from Indochina to Africa for China's Ming empire. These voyages were the biggest naval expeditions mounted at the time. Zheng He was bigger than life and could have changed the course of history. But after the seven voyages, he and his Treasure Fleet were forgotten by China, and the world, for six hundred years. National Geographic photographer Michael Yamashita sets sail to discover why. To celebrate the 600th anniversary of Zheng He's maiden exploration voyage, Michael Yamashita traveled over 10,000 miles from Yunnan in China to Africa's Swahili coast taking over 40,000 pictures for the feature story on this great explorer, published in the July 2005 edition of National Geographic.

Three siblings struggle to maintain control of their lives after the unexpected death of their parents thrusts them into an uncertain world of adulthood