I Need That Record!

A story of five Finnish youth growing up during the devastating '90s recession. They live in the small timber industrial town of Heinola. As the parents of these young teens struggle through hard economic times, the five very different youths meet by coincidence to form the punk band Apulanta.

Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.

The Lucky Charm coffee shop adds a recording studio and record shop.

Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.

Brick and Mortar and Love follows the story of ear X-tacy Records, the legendary record store in Louisville, Kentucky, as it struggles to survive in the changing music retail industry. In-depth interviews include owner John Timmons, staff at ear X-tacy, leaders in the record store industry and scores of independent record store owners from all over the US. These interviews look into the state of the independent record store, what services they provide and what is at stake if they disappear. Independent record stores are not just the place to buy a CD, they are cultural centers where music is learned, art is cultivated and they are vitally important to the communities that they serve.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

With a massive, unrestricted salvage area, the Yellowknife dump is one of the last and largest open dumps in North America. People from all walks of life go there, to search for everything from tools to clothes to home décor. This documentary follows a group of passionate salvagers over five years as the dump evolves and eventually succumbs to the inexorable efforts of city bureaucrats to subject it to sensible regulations and controls.

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.

Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.