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This film always reminds me of a teacher we had at primary school who thought the best way of obtaining discipline from us unruly eight year olds was to stamp her foot and look at her watch. All that actually achieved was for us to make more paper aeroplanes from the torn pages of our “Modern Comprehensive Artithmetic”. Had she adopted the more engaging and thought-provoking style of this titular Edinburgh lady, then she might have got farther (or is that further?). Anyway, an outwardly rather puritanical woman, Muriel Spark’s “Miss Brodie” (Maggie Smith) conforms to the conservative curriculum of the “Marcia Blaine” school for girls and to the doctrine of it’s spinsterly headmistress “Miss Mackay” (Celia Johnson). She has her girls, her favoured pupils in whom she has great faith. There’s “Sandy” (Pamela Franklin), “Jenny” (Diane Grayson), “Monica, (Shirley Steedman) and the newly arrived “Mary McGregor” (Jane Carr) and with their foie gras picnics in the school grounds and in the classroom she instils in them the values of love, poetry, truth, literature and…of fascism. Initially that’s extolling the virtues of Mussolini, but it isn’t long before she’s moved to Franco. All the while, though, we are aware that this epitome of deportment has a bit of a past with the roguish arts master “Lloyd” (Robert Stephens) and is currently keeping the shy “Lowther” (Gordon Jackson) company on their frequent weekend visits to his ancestral Cramond estate on the Firth. She is rather effortlessly coasting through life, believing herself invulnerably perfect as she manoeuvres her favourites as if they were porcelain chess pieces. One of them, though, isn’t so happy being the pawn and in the best spirit of the worm that turned, could maybe bring this whole glass edifice crashing about their mentor’s ears. As “Miss Brodie” herself puts it, this is very much a story of “do as I say, not as I do” and Maggie Smith is super in the role. Her perfect attire, posture and clipped accent all work really well but so does her frustrated sexually charged rapport with Stephens whose own performance as the seedy but probably a great deal more honest philandering father of six also manages to get your skin crawling. Much as he was back in 1949 in “Whisky Galore”, Gordon Jackson also shines as the rather meek and feeble ditherer and I often think that Johnson maybe watched a cobra a few times to get ideas for her own character - one desperate to see the end of what she saw as a toxic influence. The original novel has been adapted so as to reduce some of the free kirk mentality but it’s still quite a potent tale of idolisation, indoctrination and hypocrisy that Ronald Neame has structured to allow Smith and Stephens to own as the girls to share the limelight and we do a fair degree of squirming.
After his beloved daughter leaves for the city to pay off his debt, an old farmer goes mad when her letters become less frequent and it is suspected she may be using her body to get the money.
Jess Koster is a young attorney in LA who is being stalked by the serial killer she is prosecuting.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't stay away from him, a fatal move that endangers her own life.
The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day...
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers - and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.
A joint fight of Macedonian and Greek people against the fascist monarchical government of Greece ended with their defeat in 1949, after many years of bloodshed. Many members of the democratic party DAG, as well as the innocent inhabitants experienced the destiny of political exile.
Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirit, providing a beacon of hope for the others held captive with him.