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Piers Morgan Uncensored - (Mar 26th)
Deadline- White House - (Mar 26th)
Katy Tur Reports - (Mar 26th)
Chris Jansing Reports - (Mar 26th)
The Kelly Clarkson Show - (Mar 26th)
Four in a Bed - (Mar 26th)
Pawn Stars - (Mar 26th)
Help Im in a Secret Relationship - (Mar 26th)
Hunting History with Steven Rinella - (Mar 26th)
Wild Cards - (Mar 26th)
Family Feud Canada - (Mar 26th)
Selling Houses Australia - (Mar 26th)
Ishura - (Mar 26th)
Outback Opal Hunters - (Mar 26th)
The 11th Hour with Stephanie Ruhle - (Mar 26th)
Married at First Sight - (Mar 26th)
Alone Australia - (Mar 26th)
The Dog House Australia - (Mar 26th)
Pamelas Cooking with Love - (Mar 26th)
Deal or No Deal Island After Show with Boston Rob - (Mar 26th)
This film always reminds me of a teacher we had at primary school who thought the best way of obtaining discipline from us unruly eight year olds was to stamp her foot and look at her watch. All that actually achieved was for us to make more paper aeroplanes from the torn pages of our “Modern Comprehensive Artithmetic”. Had she adopted the more engaging and thought-provoking style of this titular Edinburgh lady, then she might have got farther (or is that further?). Anyway, an outwardly rather puritanical woman, Muriel Spark’s “Miss Brodie” (Maggie Smith) conforms to the conservative curriculum of the “Marcia Blaine” school for girls and to the doctrine of it’s spinsterly headmistress “Miss Mackay” (Celia Johnson). She has her girls, her favoured pupils in whom she has great faith. There’s “Sandy” (Pamela Franklin), “Jenny” (Diane Grayson), “Monica, (Shirley Steedman) and the newly arrived “Mary McGregor” (Jane Carr) and with their foie gras picnics in the school grounds and in the classroom she instils in them the values of love, poetry, truth, literature and…of fascism. Initially that’s extolling the virtues of Mussolini, but it isn’t long before she’s moved to Franco. All the while, though, we are aware that this epitome of deportment has a bit of a past with the roguish arts master “Lloyd” (Robert Stephens) and is currently keeping the shy “Lowther” (Gordon Jackson) company on their frequent weekend visits to his ancestral Cramond estate on the Firth. She is rather effortlessly coasting through life, believing herself invulnerably perfect as she manoeuvres her favourites as if they were porcelain chess pieces. One of them, though, isn’t so happy being the pawn and in the best spirit of the worm that turned, could maybe bring this whole glass edifice crashing about their mentor’s ears. As “Miss Brodie” herself puts it, this is very much a story of “do as I say, not as I do” and Maggie Smith is super in the role. Her perfect attire, posture and clipped accent all work really well but so does her frustrated sexually charged rapport with Stephens whose own performance as the seedy but probably a great deal more honest philandering father of six also manages to get your skin crawling. Much as he was back in 1949 in “Whisky Galore”, Gordon Jackson also shines as the rather meek and feeble ditherer and I often think that Johnson maybe watched a cobra a few times to get ideas for her own character - one desperate to see the end of what she saw as a toxic influence. The original novel has been adapted so as to reduce some of the free kirk mentality but it’s still quite a potent tale of idolisation, indoctrination and hypocrisy that Ronald Neame has structured to allow Smith and Stephens to own as the girls to share the limelight and we do a fair degree of squirming.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled "Golfo the Shepherdess," the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.